Stone Cold Red Hot - [28]
“This is Mary,” he introduced the woman who’d called out. She was small, energetic, bright-eyes and a quick smile. We shook hands.
“And Pauline.”
Pauline’s hand was cool and frail, everything about her looked pale, faded.
“We’re his secretaries,” joked Mary, “help him sort his files out.”
“More like gaffers,” he joked, “keep me on my toes. Local history buffs,” he explained, “know all about Hulme, these two do.”
The women both grinned.
“I’d better get going,” I gestured upstairs.
“We’ll get you a brew. Tea?”
“Thank you.”
“They know what you’re doing,” Mr Poole said to me.
“It’s not all like this, you know,” Mary tapped my arm. “You look in the paper and it’s all ‘estate from hell’ and ‘crime and despair’ but there’s some good people round here, proper little communities. This side of the road, we’ve not had all the changes they have over there.”
“We’re not the New Hulme,” added Pauline, “they’ve knocked that down twice in my lifetime. St Georges has had a different history. Lot more settled.”
“Thought we’d died and gone to heaven when we moved here, didn’t we Pauline?”
“Oh, aye. We was all moved from the slums, see. Beswick and Salford. You’ll not remember but they was terrible places, really terrible. We came here and there’s indoor toilets – cos we only had a privvy in the yard before that.”
“Hot water out the tap and all,” added Mary, “I cried first time I saw that. Tears of joy.”
“She does exaggerate,” teased Mr Poole. Mary slapped him on the arm.
“You go on up,” he said, “I’ll bring your tea up.”
I opened the window a couple of inches then set the camera up as before. I was smarting with outrage at the bullying I’d had to deal with. I knew I’d done right to play cautious, to save my skin but I had been in many similar situations and every time there was a small part of me, enraged at the injustice of it, at the brutal cocksure arrogance of these men (for they always had been men) and each time I had swallowed that anger. One day, I fantasised, I’d let go, let all that rage free, let it come pouring out and I’d kill someone, batter them to death with whatever was to hand, strangle them with my bare hands, beat them to a pulp…and more. And then how would I feel? Better?
I checked the focus, I couldn’t see the lads at all then I realised that they must be leaning against the van parked directly outside the house. The football would appear now and then and they began to target the Ibrahim’s house, kicking the ball hard against the door and windows. I couldn’t film them but I took some footage of the ball to establish what was happening.
Mr Poole brought me some tea. “I thought what had happened on Friday would be enough to convince the council.”
“It may be but they’re waiting for the lawyer’s say-so.”
He grunted, not impressed and told me to call him if I needed anything.
I looked back at the house opposite. The football slammed against the door and bounced back. How did the Ibrahim children react to the bombardment? Could they sleep? Did they have nightmares and wet the bed? Did they huddle under the covers trying to shut out the noise? What would Mrs Ahmed do? Try and keep life normal: bedtime now, brush your teeth, I’ll tell you a story. Or did she gather them all together, ready for another night’s siege, snuggled on the sofa with the video turned up loud playing the Lion King or Jungle Book.
After five minutes or so a man came from the bottom of the road, climbed into the van and drove off. I zoomed in and got a head shot of each of the twins. I couldn’t tell them apart; only different coloured sweatshirts marked one from the other. Black and red. I panned round to take in Micky Whittaker with the bulldog tattoo on his skull and the fourth boy who wore a Manchester United cap backwards and had a close cropped beard on his chin. None of the boys wore coats in spite of the incessant drizzle. The kicking continued, they concentrated on the lounge window. Thump, thump, thump. They took turns to kick, keeping the rhythm up like footballers in training. At last a powerful kick from Micky Whittaker smashed the window. I filmed their jubilation as they leapt into each others arms and crowded round Whittaker. There was no sign of anyone inside the house. I used my mobile phone to call the police.
I reported malicious damage and threatening behaviour. I gave the location and my name. I pulled back the zoom till I had a general view of the scene and left the camera running.
Mr Poole was already opening the front door as I came downstairs. Mary and Pauline were in the hall in their hats and coats.
“They’ve smashed the window,” I told him, “I’ve called the police.”
The group were by the gate lighting cigarettes.
“What do you think you’re playing at?” Mr Poole demanded. “The council can take you to court for breaking stuff like that.”
“Oooh, I’m scared,” minced Whittaker. “Not.”
“They’re not gonna do ‘owt for a fuckin’ broken winder, are they?” One of the twins spoke.
“Was an accident, anyway,” his brother added.
A gust of wind stirred the curtains opposite.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Валентин Владимиров живет тихой семейной жизнью в небольшом городке. Но однажды семья Владимировых попадает в аварию. Жена и сын погибают, Валентин остается жив. Вскоре виновника аварии – сына известного бизнесмена – находят задушенным, а Владимиров исчезает из города. Через 12 лет из жизни таинственным образом начинают уходить те, кто был связан с ДТП. Поговаривают, что в городе завелась нечистая сила – привидение со светящимся глазами безжалостно расправляется со своими жертвами. За расследование берется честный инспектор Петров, но удастся ли ему распутать это дело?..
Если вы снимаете дачу в Турции, то, конечно, не ждете ничего, кроме моря, солнца и отдыха. И даже вообразить не можете, что столкнетесь с убийством. А турецкий сыщик, занятый рутинными делами в Измире, не предполагает, что очередное преступление коснется его собственной семьи и вынудит его общаться с иностранными туристами.Москвичка Лана, приехав с сестрой и ее сыном к Эгейскому морю, думает только о любви и ждет приезда своего возлюбленного, однако гибель знакомой нарушает безмятежное течение их отпуска.
Если весь мир – театр, то балетный театр – это целый мир, со своими интригами и проблемами, трагедиями и страстями, героями и злодеями, красавицами и чудовищами. Далекая от балета Лиза, живущая в Турции, попадает в этот мир совершенно случайно – и не предполагает, что там ей предстоит принять участие в расследовании загадочного убийства и встретиться с любовью… или это вовсе не любовь, а лишь видимость, как всё в иллюзорном мире театра?Этот роман не только о расследовании убийства – он о музыке и о балете, о турецком городе Измире и живущих в нем наших соотечественниках, о людях, преданных театру и готовых ради искусства на все… даже на преступление.
В номере:Денис Овсянник. Душа в душуИгорь Вереснев. Спасая ЭрикаОксана Романова. МощиТатьяна Романова. Санкторий.
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