Pop Goes the Weasel - [5]

Шрифт
Интервал

But something wasn’t right. Something wouldn’t let him relax. Something was…

Drip. There it was. A sound. A slow but steady sound, disturbing the quiet, drumming out an insistent warning.

Drip. Where was it coming from? His eyes flicked nervously this way and that.

Something was dripping in the far corner of the room. Was it a leak? Shrugging off his irritation, he dragged himself to his feet. It was worth checking out – might be some copper piping in it for him.

He hurried over, then stopped in his tracks. It wasn’t a leak. It wasn’t water. It was blood. Drip, drip, dripping through the ceiling. Spinning, he hurried away – none of my fucking business – but as he reached the kitchen, he slowed. Perhaps he was being too hasty. He was armed after all and there was no sign of movement upstairs. Anything could have happened. Someone could have topped themselves, could have been mugged, killed, whatever. But there might be spoils in it for a scavenger and that was something that couldn’t be ignored.

A moment’s hesitation, then the thief turned and crossed the room, edging past the thick pool of congealing blood into the hallway. He darted his head out, crowbar raised to strike at the first sign of danger.

But there was no one there. Cautiously, he stepped out and began to climb the stairs.

Creak. Creak. Creak.

Every step announced his presence and he swore quietly under his breath. If there was anyone up there, they would know he was coming. He gripped the crowbar a little tighter as he crested the staircase. Better to be safe than sorry so he darted his head into the bathroom and the back bedroom – only an amateur gets attacked from behind.

Satisfied he was safe from ambush, he turned to face the front bedroom. Whatever had happened, whatever it was, it was in there. The thief took a deep breath, then stepped inside the darkened room.


6

She dived further and further down, the brackish water filling her ears and nostrils. She was far below the surface now and already running out of breath, but she didn’t waver. Strange lights illuminated the lake bed, rendering it diaphanous and beautiful, tempting her deeper still.

Now she was clawing her way through the thick weeds that clung to the bottom. Visibility was poor, the going hard, her lungs were bursting. They said he was here, so where was he? There was a rusting pram, an old shopping trolley, even an oil drum, but no sign of…

Suddenly she knew she’d been tricked. He wasn’t here. She turned to make for the surface. But she didn’t move. She craned her head round to see that her left leg was stuck in the weeds. She kicked with all her might, but the weeds wouldn’t yield. She was beginning to feel faint now, couldn’t hold out much longer, but she forced herself to relax, letting her body drift to the bottom. Better to try and disentangle herself calmly than kick herself into an even bigger mess. Forcing her head down, she dug through the offending weeds, tugging hard. Then she stopped. And screamed – her last ounce of breath escaping from her mouth. It wasn’t weeds holding her under. It was a human hand.

Gasping, Charlie sat bolt upright in bed. She cast around her wildly, trying to process the weird disjunction between the weeds she’d been swallowed by and the homely bedroom she now found herself in. She ran her hands over her body, convinced her pyjamas should be wringing wet, but she was bone dry, except for a sheen of sweat on her brow. As her breathing began to slow she realized it was just a nightmare, just a stupid bloody nightmare.

Forcing herself to keep calm, she turned to look at Steve. He’d always been a heavy sleeper and she was pleased to see him snoring softly beside her. Slipping quietly out of her side of the bed, she picked up her dressing gown and tiptoed out of the room.

Crossing the landing, she headed for the stairs. She hurried past the door to the second bedroom, then scolded herself for doing so. When they’d first learned they were expecting, Steve and Charlie had discussed the changes they’d make to that room – replacing the double bed with a cot and nursing chair, covering the white walls with cheery yellow wallpaper, putting thick rugs on the hardwood floor – but of course all that excitement had come to nothing.

Their baby had died inside Charlie during her incarceration with Mark. By the time they got her to the hospital, she already knew, but had still hoped that the doctors would confound her worst fears. They hadn’t. Steve had cried when she’d told him. The first time Charlie had ever seen him cry, though not the last. There were times in the intervening months when Charlie thought she was on top of things, that she could somehow process the awfulness of it all, but then she would find herself hesitating to go into the second bedroom, scared to see the imprint of the nursery they had imagined together, and then she knew that the wounds were still raw.

She headed downstairs to the kitchen and flipped the kettle on. Recently she’d been dreaming a lot. As her return to work had drawn closer, her anxiety had found its release in nightmares. She had kept these to herself, keen not to give Steve further ammunition.


Еще от автора Мэтью Арлидж
The Doll's House

Detective Helen Grace is on the trail of a twisted serial killer in this riveting thriller in the gripping * international bestselling series."Ruby wakes up in a strange room. Her captor calmly explains that no one is looking for her. No one wants her. Except him."When the body of a woman is found buried on a secluded beach, Detective Helen Grace is called to the scene. She knows right away that the killer is no amateur. The woman has been dead for years, and no one has even reported her missing. But why would they? She s still sending text messages to her family.Helen is convinced that a criminal mastermind is at work: someone very smart, very careful, and worst of all, very patient.


Little Boy Blue

Detective Helen Grace faces her own dark compulsions in the new thriller from the international best-selling author of Pop Goes the Weasel and Eeny Meeny.In a world where disguises and discretion are the norm, and where one admission could unravel a life, a killer has struck, and a man is dead. No one wants to come forward to say what they saw or what they know – including the woman heading the investigation: Detective Helen Grace.Helen knew the victim. And the victim knew her – better than anyone else.


Liar Liar

THE FOURTH DI HELEN GRACE THRILLER BY BESTSELLING AUTHOR M J ARLIDGE 'Helen Grace is one of the greatest heroes to come along in years' JEFFERY DEAVER In the dead of night, three raging fires light up the city skies. It's more than a tragic coincidence. For DI Helen Grace the flames announce the arrival of an evil she has never encountered before. Because this is no firestarter seeking sick thrills, but something more chilling: a series of careful, calculating acts of murder. But why were the victims chosen? What's driving the killer? And who will be next? A powder keg of fear, suspicion and dread has been laid.


Вышел месяц из тумана…

Детектив-инспектор Хелен Грейс расследует серию преступлений, в каждом из которых похищены два человека. Похититель ставит свои жертвы перед страшным выбором – убить другого или умереть самому. Как долго продолжится эта смертельная игра, зависит только от Хелен. Ведь этими похищениями маньяк шлет послание лично ей.


Eeny Meeny

The international bestseller that "grabs the reader by the throat" (Crime Time).First in the new series featuring Detective Inspector Helen Grace.Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.Helen is familiar with the dark sides of human nature, including her own, but this case-with its seemingly random victims-has her baffled.


Рекомендуем почитать
Фантастика и детективы, 2014 № 01 (13)

Журнал «Фантастика и Детективы»В номере:Дмитрий Самохин. ИшибашиЮлия Зонис. Маша и михалычБорис Богданов. Вместо кожи — червивая шкураЕвгений Шиков. Сова-ГоворуньяАнтон Фарб. Из всех решений…


Фантастика и Детективы, 2014 № 02 (14)

Журнал «Фантастика и Детективы»В номере:Ника Батхен. Дело мистера МонготройдаВладислав Ленцев, Андрей Артемьев. Я удаляюсьСергей Звонарев. Солнечный зайчикЯна Дубинянская. Враг…


Образцовая подделка

В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.


Трубка мистера Холмса

Театр начинается с вешалки, а классический детектив с… трупа И пусть наш детектив не совсем классический, но, тем не менее, основной элемент «классики» присутствует. Итак!В гостиной дома обнаружен труп его хозяина, мистера Коэна. Не блещущий аналитическим и, честно признаться, обычным умом следователь Бонд, Джек Бонд, любезно приглашает к расследованию своего хорошего знакомого, частного сыщика Кристиана О*Гатти, достойного последователя лучших литературных сыскарей, таких как Холмс, Пуаро, Мегрэ… Чего же они там "надедуктируют"…


Запретное кино

Необъяснимо жестокое, немотивированное убийство старика и загадочная гибель в тюрьме человека, подозреваемого в заказном убийстве… Что может быть общего у этих двух — таких разных — преступлений?"Госпожа следователь" не сразу понимает, что связь существует, — и даже не подозревает пока, какими невероятными, нетрадиционными методами ей предстоит вести расследование…


Евгений Кушнарев: под прицелом

В своем детективном романе «Евгений Кушнарев: под прицелом» Андрей Кокотюха моделирует ситуации, которые могли предшествовать загадочной гибели яркого и неординарного политика. Выдвигая четыре версии развития событий, автор анализирует факты, не делая однозначных выводов, предоставляя возможность читателю выстраивать свою собственную версию…