Liar Liar - [37]
They had all urged him not to view his mother’s body. They had identified her from DNA and dental records, so there was no need for him to be here in this sterile, lifeless place. Callum had seen police mortuaries on TV crime shows but he now realized how fake those versions were. The real deal was washed out, soulless and just… dead.
Sanderson seemed to have given up trying to talk him down now and walked mutely beside him. Which was fine by him. He had been irritated by her presence at first, but as they approached the doors to the body storage area, he was suddenly glad to have her with him. He had no idea how he would react once he was in there.
Why was he here? Did he really believe that it wasn’t his mum in there? The DNA tests had proved it was her and yet he still had to see. He couldn’t logically say why, but he did.
They had euphemistically hinted at the state of his mother’s body, then when he’d refused to play ball, the gloves had come off and they’d described in concise but graphic detail what remained of his mother. Even so he’d refused to be put off. He knew instinctively that refusing to see her now would be the grossest betrayal of all.
Why had he been such an idiot? So ungrateful? So hostile? Sure his mum had messed up plenty of times and was a doormat, with terrible taste in men. But she had raised him single-handedly when other lesser women might have abandoned him to his fate, fobbing him off on a relative or putting him into care. And in the early years they had got on well. She was a relaxed parent, happy to have a laugh and a joke. And she doted on him, often going without so that he could go on school trips, have birthday parties, even the odd holiday. He had never missed having a dad, which had to mean something, didn’t it? She even came with him when he got his first tattoo, advising him on where to have it and what to go for. She looked after him afterwards, making sure that the tattoo didn’t get infected, giving him hot Ribena and powdered paracetamol to dull the pain in his throbbing arm. She wasn’t the best of mums, but she was very far from being the worst.
‘This is Jim Grieves. He’s our Senior Pathologist.’
Callum suddenly found himself shaking hands with yet another stranger. He never shook hands – who the fuck did? – and yet he seemed to have been doing nothing else for the past few hours. Shaking hands with medics, police officers, fire investigators and now the pathologist who’d been prodding and probing his mother’s body.
‘I’m very sorry for your loss,’ the man was saying. He was a big guy with a gruff manner but kind eyes. Callum couldn’t think of what to say in reply, so nodded briefly. He wasn’t here to chat.
They walked on to the body storage area. ‘Body storage area’ – how the hell had he ended up here? It was a nightmare, a living bloody nightmare. The man was talking again, but he couldn’t hear a single word, his conversation drowned out by the clamouring panic within him. Suddenly he wanted to be anywhere but here. He wanted to turn and run, run, run…
‘Are you ready?’ the pathologist said, sounding like he was repeating the question for a second time. Callum snapped out of it, nodding and smiling at his interrogator. Why had he smiled? What was there to smile about?
They were standing by a long metal table – he knew they called them ‘slabs’ but couldn’t bear to think of them like that. With one last look at him, the pathologist leant forward and lifted the sheet.
Immediately, Callum’s arm shot out, grabbing at the sleeve of the policewoman who still flanked him. He didn’t know what he had been expecting, but not this. This wasn’t his mum. She didn’t even look human. This was an abomination.
Letting go his grip, he turned and ran to a nearby sink, vomiting hard into it. Once, twice, three times as the horror of what he’d just seen forced its way out. Afterwards, gripping the cold metal rim, he hung his head, trying to steady his breathing, to calm his thundering heart. Up until now it had seemed horrific but unreal. Now the full devastation of last night was making itself felt. And he knew in that moment, with piercing clarity, that his whole life had been reduced to ashes.
48
Blog post by firstpersonsingular.
Thursday, 10 December, 15.00
Have you ever burnt yourself? I mean properly. Like holding the palm of your hand over a flame and letting the fire eat your flesh. You should, it’s good.
I guess like me that you’ve probably been on suicide websites. I look at those things for hours. Always something interesting in the details and I just love the tone of those sites, don’t you? So sombre, so serious and so fucking DULL?!? Like it’s a training manual or textbook. This isn’t homework, friend, this is the final frontier. Not that I haven’t been tempted, but I wonder how many people would stop short if they just learnt to use their pain. Like I say, it’s good.
I first burnt myself when I was six. I stole my mother’s lighter, which made it all the sweeter. She thought I was trying to interfere with her smoking or just being a little shit, but I wanted something of hers to make its mark. Somehow it felt twice as good holding her lighter – with its stupid engraving – in my hand as I lowered my palm down, down, down on to the flame. I held it there, refusing to move. Exercising my power over it. Over my pain. Over my life.
The international bestseller that "grabs the reader by the throat" (Crime Time).First in the new series featuring Detective Inspector Helen Grace.Two people are abducted, imprisoned, and left with a gun. As hunger and thirst set in, only one walks away alive.It's a game more twisted than any Detective Inspector Helen Grace has ever seen. If she hadn't spoken with the shattered survivors herself, she almost wouldn't believe them.Helen is familiar with the dark sides of human nature, including her own, but this case-with its seemingly random victims-has her baffled.
Детектив-инспектор Хелен Грейс расследует серию преступлений, в каждом из которых похищены два человека. Похититель ставит свои жертвы перед страшным выбором – убить другого или умереть самому. Как долго продолжится эта смертельная игра, зависит только от Хелен. Ведь этими похищениями маньяк шлет послание лично ей.
Detective Helen Grace is on the trail of a twisted serial killer in this riveting thriller in the gripping * international bestselling series."Ruby wakes up in a strange room. Her captor calmly explains that no one is looking for her. No one wants her. Except him."When the body of a woman is found buried on a secluded beach, Detective Helen Grace is called to the scene. She knows right away that the killer is no amateur. The woman has been dead for years, and no one has even reported her missing. But why would they? She s still sending text messages to her family.Helen is convinced that a criminal mastermind is at work: someone very smart, very careful, and worst of all, very patient.
Detective Helen Grace faces her own dark compulsions in the new thriller from the international best-selling author of Pop Goes the Weasel and Eeny Meeny.In a world where disguises and discretion are the norm, and where one admission could unravel a life, a killer has struck, and a man is dead. No one wants to come forward to say what they saw or what they know – including the woman heading the investigation: Detective Helen Grace.Helen knew the victim. And the victim knew her – better than anyone else.
From the international bestselling author of Eeny Meeny comes the second thriller in the truly excellent series * featuring Detective Helen Grace."A man s body is found in an empty house.A gruesome memento of his murder is sent to his wife and children."He is the first victim, and Detective Helen Grace knows he will not be the last. But why would a happily married man be this far from home in the dead of night?The media call it Jack the Ripper in reverse: a serial killer preying on family men who lead hidden double lives.Helen can sense the fury behind the murders.
Если весь мир – театр, то балетный театр – это целый мир, со своими интригами и проблемами, трагедиями и страстями, героями и злодеями, красавицами и чудовищами. Далекая от балета Лиза, живущая в Турции, попадает в этот мир совершенно случайно – и не предполагает, что там ей предстоит принять участие в расследовании загадочного убийства и встретиться с любовью… или это вовсе не любовь, а лишь видимость, как всё в иллюзорном мире театра?Этот роман не только о расследовании убийства – он о музыке и о балете, о турецком городе Измире и живущих в нем наших соотечественниках, о людях, преданных театру и готовых ради искусства на все… даже на преступление.
Владелица небольшого ресторанного бизнеса Голди знает цену деньгам.Когда на счету остается всего пара долларов, а экс-супруг, преуспевающий врач-гинеколог, выплачивает мизерные алименты на содержание их сына Арча с неохотой, рассчитывать приходится только на саму себя.Голди берется за любую работу, которую только можно найти, даже если это предложение организовать бранч в частной школе для отпрысков самых богатых и влиятельных жителей города Аспен-Мидоу.Однако, планируя это торжественное мероприятие, она даже представить не могла, что так удачно начавшийся для ее маленького бизнеса день закончится настоящей трагедией…
В номере:Денис Овсянник. Душа в душуИгорь Вереснев. Спасая ЭрикаОксана Романова. МощиТатьяна Романова. Санкторий.
Каждый думает, что где-то его жизнь могла бы сложиться удачнее. Такова человеческая натура! Все мы считаем, что достойны лучшего. А какова реальность? Всегда ли наши мечты соответствуют действительности? Не стоит винить свою Родину во всех бедах, свалившихся на вашу голову. В конечном счете, ваша судьба находится исключительно в ваших руках. В этом остросюжетном детективе перед читателем открывается противоречивая Америка, такая соблазнительная и жестокая. Практичные американцы не только говорят на другом языке, но они и думают по-другому! Как приспособиться к новой жизни, не наляпав ошибок? Да и нужно ли? Данный детектив входит в серию «Злополучные приключения», в которых остросюжетная линия тесно переплетена с записками путешественника и отменно приправлена искромётным юмором автора.
Загадка сопровождает карты Таро не одну сотню лет. А теперь представьте колоду, сделанную из настоящего золота, с рисунками, нанесенными на пластины серебром. Эти двадцать две карты смело можно назвать бесценными. Стоит ли удивляться, что того, кто владеет ими, преследует многовековое проклятие…
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.