Letters To My Daughter's Killer - [45]
‘Yes.’
‘You’d lost your best friend to a new relationship, to marriage. She had committed herself to her husband. Did you feel excluded?’
‘No,’ Rebecca says.
‘Jealous?’
‘No,’ she protests.
‘Mrs Tennyson didn’t return your calls. Perhaps you blamed Mr Tennyson for the growing distance between you?’ says Miss Dixon.
‘That’s rubbish.’ Rebecca’s face glows red again.
‘A simple yes or no will suffice.’
‘No,’ sounding churlish, almost matching the picture Miss Dixon is painting of a jealous friend out to make trouble for you, the loving husband.
‘Do you not find it strange that no one, absolutely no one, not the deceased’s mother or father, her other friends, her colleagues at work, her GP, not one of them ever heard any whisper of domestic violence in the relationship?’
‘I don’t know.’
‘Do you not find it strange that you are the only person who did? And that though Mrs Tennyson allegedly,’ the word sounds like a sneer, ‘told you about an incident more than four years earlier, she never shared any details about it with you, not what Mr Tennyson did or where she was hurt, and you saw not one shred of physical evidence to support her allegations? Is that not strange?’
‘Maybe.’ Rebecca juts her chin out, and stammers, ‘But it is the truth.’
Miss Dixon lets the silence stretch out so all we hear is the tremulous quality of Rebecca’s final answer, then the barrister says, ‘Thank you.’
By the time Rebecca leaves the witness box, the seeds of doubt are well and truly sown.
Ruth
CHAPTER FIVE
17 Brinks Avenue
Manchester
M19 6FX
The final prosecution witness is a psychologist. Mr Cromer explains that Dr Nerys Martinez is an expert witness who will be here to shed light on the area of domestic violence, which is a key part of the prosecution case.
Dr Martinez is a small, trim, dark-skinned woman; her accent has a French lilt to it.
‘You have been involved in a number of studies into the phenomenon of domestic violence?’ Mr Cromer says.
‘Yes.’
‘Isn’t the violence simply a result of someone losing control of their temper?’
‘Not at all. Abuse is usually planned, prepared for. The abuser has no difficulty managing his temper at work, say, or with friends.’
‘In the research you have conducted, if a person has physically assaulted their spouse on one occasion, how likely is it that they will go on to do it again?’
‘Extremely likely. The incidence of sole assaults that are never repeated is almost unheard of,’ Dr Martinez says.
‘And can you tell us why a victim of abuse might hide what was happening from close friends and family?’
‘Certainly. If you’ll allow me first to outline the familiar pattern of abuse and violence. Abuse is about power and control. The abuser uses threats or violence to dominate their partner. An outbreak of violence is typically followed by the abuser exhibiting guilt; he will apologize, but he will also offer excuses to explain his behaviour. Commonly a period of normality follows and the majority of victims hope that the abuser will be able to keep his promise not to do it again. This honeymoon phase is followed by the abuser fantasizing about repeating the abuse. Planning it. He will engineer a situation that creates the right circumstances for him to attack his partner. Because abuse is about power, about domination, the person on the receiving end is made to feel culpable; the abuser will accuse them of deliberately doing something to trigger the violence. The reality is that the abuser wishes to exert his domination and to do this through violence, and he will construct a situation to make that happen. In the period of regret and promises, the person suffering from the violence wishes to believe the abuser. Their self-esteem is severely undermined. They are anxious that if only they do X and Y they will be safe. They will find excuses for the behaviour of their partner. Recognizing the situation for what it is, admitting it, is a very difficult step. Asking for help even harder. So in the majority of cases the victim conceals the situation as much as they can.’
‘Women will typically suffer many instances of violence before seeking help? Am I correct?’ says Mr Cromer.
‘That’s right.’
‘Would we not expect a man who does this to be a violent person in general?’
‘No. Abusers choose who to abuse, and where and how, so that the abuse is hidden. They will hit the victim in places where bruises won’t show. Research shows that they are capable of switching off violent behaviour if anyone else is present. The abusers are not out of control; indeed they are very much in control.’ This surprises me, but it helps explain how you got away with it: you focused your violence on Lizzie; none of the rest of us ever witnessed your aggression.
‘And the scenario of a woman confiding in a friend that her husband has abused her, and begging her to keep it quiet, of this victim not having visible bruises or injuries, does that ring true?’
‘Yes, it’s very common,’ says Dr Martinez.
‘And explaining to her confidante that her husband had problems with work that made him short-tempered and led to his violence – that’s plausible?’
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Валентин Владимиров живет тихой семейной жизнью в небольшом городке. Но однажды семья Владимировых попадает в аварию. Жена и сын погибают, Валентин остается жив. Вскоре виновника аварии – сына известного бизнесмена – находят задушенным, а Владимиров исчезает из города. Через 12 лет из жизни таинственным образом начинают уходить те, кто был связан с ДТП. Поговаривают, что в городе завелась нечистая сила – привидение со светящимся глазами безжалостно расправляется со своими жертвами. За расследование берется честный инспектор Петров, но удастся ли ему распутать это дело?..
Если вы снимаете дачу в Турции, то, конечно, не ждете ничего, кроме моря, солнца и отдыха. И даже вообразить не можете, что столкнетесь с убийством. А турецкий сыщик, занятый рутинными делами в Измире, не предполагает, что очередное преступление коснется его собственной семьи и вынудит его общаться с иностранными туристами.Москвичка Лана, приехав с сестрой и ее сыном к Эгейскому морю, думает только о любви и ждет приезда своего возлюбленного, однако гибель знакомой нарушает безмятежное течение их отпуска.
Если весь мир – театр, то балетный театр – это целый мир, со своими интригами и проблемами, трагедиями и страстями, героями и злодеями, красавицами и чудовищами. Далекая от балета Лиза, живущая в Турции, попадает в этот мир совершенно случайно – и не предполагает, что там ей предстоит принять участие в расследовании загадочного убийства и встретиться с любовью… или это вовсе не любовь, а лишь видимость, как всё в иллюзорном мире театра?Этот роман не только о расследовании убийства – он о музыке и о балете, о турецком городе Измире и живущих в нем наших соотечественниках, о людях, преданных театру и готовых ради искусства на все… даже на преступление.
В номере:Денис Овсянник. Душа в душуИгорь Вереснев. Спасая ЭрикаОксана Романова. МощиТатьяна Романова. Санкторий.
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