Lawless - [7]
Half an hour later, the carpet fitters arrived. And half an hour after that, Vittore Danieri showed up.
‘Bianca here?’ he asked the three women, who were pausing by the bar for a fag and a coffee.
Vittore had an authoritative way about him, like Bianca; he was big, blockish like Tito, robust and tough-looking and ugly with a hooked nose, receding black hair and bulging dark brown eyes. There was a stillness, a hardness about him – and he looked somehow polished like Tito too, in the way that rich guys did.
‘Why hasn’t he got a neck?’ they’d joked between themselves when they first set eyes on him. Vittore’s head was set low on his shoulders and it poked aggressively forward; he didn’t seem to have a neck, it was true, but then he didn’t seem to have a sense of humour either, so they maintained a show of respect in his presence.
‘Bianca’s upstairs,’ said Tanya, her eyes catching his.
She thought of it as turning on the headlights. She turned them on now, gave him full beam, eyelashes fluttering, You want some of this? She knew he was married, but she didn’t give a toss about that. Of course, she would prefer to have Tito, but Vittore would do. The family was loaded, and all the brothers – even that vain little tit Fabio who’d come down here once trying to chuck his weight about – had an aura of power that appealed to her.
‘Right,’ said Vittore, and passed by all three of them without a second glance.
‘Shit,’ said Tanya, shaking her head. ‘Am I losing it, or what?’
‘Girl, you never had it to lose,’ laughed Cora.
‘Yeah, funny,’ said Tanya, and Claire gave a smirk.
‘Come on,’ sighed Claire. ‘Work to do…’
Bianca wasn’t particularly surprised to see Vittore show up unannounced. She was thrilled that Tito had entrusted her with the start-up of Dante’s, after she had spent several years learning the business up in London; but she was under no illusions. He was expecting her to fail, to need bailing out at any moment.
She was used to this. With three older brothers, she was always the one standing on the sidelines, the one nobody consulted or enquired after, because she was a girl and in their eyes that made her something less than a man, someone less likely to get things properly done. She had kicked against it for most of her life, but it was there, always staring her in the face: the testosterone wall.
She might have been used to it, but that didn’t mean she liked it, or accepted it. In fact, it enraged her. She knew she was capable, sensible, tough enough to run this place. When she put herself forward for it, her brothers been taken by surprise; it was obvious that they wanted to say no, but Mama had backed her. They all knew Mama was the boss, so Tito had said OK, why not? All the time expecting Bianca to make a bollocks of it.
And here it was, Vito checking up on her, proof that they thought her inadequate; a mere female and not even one of them. She was adopted, not proper Danieri blood.
She waited patiently for him to say the words: Everything OK, Sis? Need a hand?
Expecting – almost hoping – that she would say, Yes, someone’s giving me trouble, can you help me please, Vittore?
She would rather choke than say any such thing. She was tough, through and through. She carried a.22 calibre gun in her handbag, she looked you straight in the eye and dared you to look back. She was Tito Danieri’s little sister. She was Camorra.
‘Vittore!’ she greeted him warmly as she sat behind her desk, elbow-deep in paperwork. Fucking paperwork. ‘What can I do for you?’
It’s more what I can do for you, Sis. I’m here to help you out of whatever trouble it is you can’t handle.
And all the while he’d be mocking her in his head, thinking, Knew it. She can’t cut it, not like us boys.
Well, she was going to show them.
‘Sis…’ he hesitated. Vittore’s face was somehow… changed. No confident sneer today, and his mouth looked tight, strained.
Bianca felt alarm spiral up through her core. Felt that soul-draining weakness that comes with the certainty that something nasty is coming, something bad.
‘What is it?’ she said, rising to her feet.
‘No. No. Sit down, Bianca. This is bad news. I’m sorry.’
Bianca sank back into her seat. ‘Is it Mama?’ she asked, dry-mouthed.
He was shaking his head.
‘It’s Tito,’ he said. ‘It happened last night, when he was at the new place in Docklands.’ Vittore swallowed hard, and Bianca was horrified to see that his eyes shone with tears. ‘He’s dead, Bianca. Tito’s gone.’
6
‘Are you sure about this?’ Daisy asked her mother on the day of Tito’s funeral.
‘No, I’m not,’ said Ruby. ‘But I’m going.’
‘Then I’ll come with you,’ said Daisy, her face looming up in the mirror at Ruby’s shoulder.
Ruby glanced at her watch. Ten to eleven. She felt a shiver of apprehension run right through her. The sort of shiver that told your senses Just don’t, OK? But she sent her daughter’s reflection a smile. ‘I’d rather you didn’t. Stay here with the babies.’
Daisy’s eyes, blue as cornflowers, stared into her mother’s. She thought that Ruby’d had more than enough upsets over the past few months. She wished she wasn’t being so damned
Stay Dead is the heartstopping sixth book in Jessie Keane's bestselling Annie Carter series. Annie Carter finally believes that life is good. She and Max are back together and she has a new and uncomplicated life sunning herself in Barbados. It's what she's always dreamed of. Then she gets the news that her old friend Dolly Farrell is dead, and suddenly she finds herself back in London and hunting down a murderer with only one thing on her mind…revenge. But the hunter can so quickly become the hunted, and Annie has been keeping too many secrets.
SHE THOUGHT SHE'D SEEN THE BACK OF THE DELANEYS. HOW WRONG COULD SHE BE…Annie Carter should have demanded to see their bodies lying on a slab in the morgue, but she really believed the Delaney twins were gone from her life for good.Now sinister things are happening around her and Annie Carter is led to one terrifying conclusion: her bitter enemies, the Delaney twins, didn't die all those years ago. They're back and they want her, and her family, dead.This isn't the first time someone has made an attempt on her life,yet she's determined to make it the last.
Выйдя на улицу, чтобы немного прийти в себя после бурного выпускного вечера, шестнадцатилетняя Мария Вестон исчезает навсегда. Девушку считают погибшей, однако спустя двадцать пять лет одноклассники начинают получать от нее письма с угрозами. Неужели она жива и долгие годы скрывалась, но зачем? Больше остальных напугана успешная предпринимательница Луиза Уильямс, которая уверена, что страшная судьба Марии целиком и полностью лежит на ее совести. Роман Лоры Маршалл — это будоражащее кровь погружение в бездну страхов, сомнений, амбиций и не изжитых комплексов.
Кен Фоллетт — один из самых знаменитых писателей Великобритании, мастер детективного, остросюжетного и исторического романа. Лауреат премии Эдгара По. Его романы переведены на все ведущие языки мира и изданы в 27 странах. Содержание: Скандал с Модильяни Бумажные деньги Трое Ключ к Ребекке Человек из Санкт-Петербурга На крыльях орла В логове львов Ночь над водой.
В самой середине 90-тых годов прошлого века жизнь приобрела странные очертания, произошел транзит эпох, а обитатели осваивали изменения с разной степенью успешности. Катя Малышева устраивалась в транзитной стадии тремя разными способами. Во-первых, продолжала служить в издательстве «Факел», хотя ни работы, ни денег там почти не наблюдалось. Во-вторых редактировала не совсем художественную беллетристику в частных конторах, там и то и другое бытовало необходимом для жизни количестве. А в третьих, Катя стала компаньоном старому другу Валентину в агентстве «Аргус».
В самом начале нового века, а может быть и в конце старого (на самом деле все подряд путались в сроках наступления миллениума), Катя Малышева получила от бывшего компаньона Валентина поручение, точнее он попросил оказать ему платную любезность, а именно познакомиться с заслуженной старой дамой, на которую никто в агентстве «Аргус» не мог угодить. Катя без особой охоты взялась за дело, однако очень скоро оно стало усложняться. Водоворот событий увлек Катю за собой, а Валентину пришлось её искать в печальных сомнениях жива она или уже нет…
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.