Lawless - [10]
Why should her sons and her daughter find places of their own when there was this big house here, with plenty of space for them all? Of course, Tito had kept an apartment over one of the clubs – she didn’t want to know about that, or about what he got up to when he was there, God forbid. Fabio, her youngest boy, still lived here with his Mama, and why not?
And Vittore!
Bella’s lip curled. Her favourite boy, the middle son, had shocked and upset her by insisting on marrying that whore Maria. He’d been ready to break his mama’s heart by moving out, setting up his own household with the slut.
Bella soon put a stop to that. She had cajoled, pleaded, cried, clutched at her chest. ‘I am losing my son!’ she wailed.
In the end, Vittore had relented, as she had known he would. Now Vittore and Maria had their own set of rooms – lounge, kitchen, wine cellar, bathroom, bedroom, even their own little patch of garden – in the big family home, and there was no more talk of them moving out.
The rain battered against the window and Bella gazed out at the dark sky, the lashing rain. She sighed then, and cursed the weather in this country. In Napoli, sweet hot Napoli, people sat outside, sharing grappa with their neighbours and laughing at the problems of the world under a brilliant, scorching sun. Here, they huddled indoors even in the summer months, and the air was never dry, it was always damp, humid: everyone went out in raincoats to dodge the showers. But there could never be any going back for the family; she knew that. This had become their country, their home.
Once it had seemed that nothing could touch them here, nothing at all: and then it happened. Her son Tito, walking out of the renovated Docklands one night. An assassin, lying in wait, striking when it was least expected. A single thrust with a long, narrow blade, and her precious boy, her eldest, was dead.
With trembling fingers Bella placed her long-dead husband’s picture back on the mantelpiece. She was so tired of it all: the fight, the struggle. Tired to death; all she wanted was peace. No reprisals, no beatings. She’d told the boys and she meant it. Tito was gone, nothing was going to bring him back. Let him rest.
Blinking back tears, she focused on her reflection in the mirror. Why not admit it? Her husband might have been no looker, but she wasn’t either. Years of sophisticated company, high-end dinner parties, charity galas, and still she looked like what she was: an Italian peasant woman, her greying hair scraped back in a bun, her face a pallid network of wrinkles, her sallow complexion not flattered by the unadorned black dress she wore, her eyes stricken with grief.
‘Mama?’
Bella turned. It was her Vittore. Her beloved boy. He too was showing signs of age: his hairline was receding, forming a widow’s peak at the front. It gave him a sinister look, wolfish.
Vittore had always been her favourite, the one she had nursed at her breast for longest, the one she doted on the most. Now he was the eldest living boy and head of the family. He came forward, looking at his watch. It was nearly ten thirty. He kissed her dutifully on both cheeks, held her close for a moment, then pushed her back.
‘Finally he comes to see his mother,’ Bella sniffed.
‘Shouldn’t Bianca be here?’ asked Vittore, ignoring her remark. He was used to such things.
Bella gave a shrug; Bianca was a law unto herself. She smiled faintly and patted his cheek. Vittore was her special one, that would never change.
She thought of the old English rhyme: A boy’s your son till he takes a wife, a girl’s your daughter all your life. Bella’s heart clenched with pain as she thought how Vittore had gone against her wishes and wed Maria. She had warned him about dirty girls and their seductive ways, but what could you do? Men had their needs, and that bitch Maria had snared Vittore despite all Bella’s efforts to prevent it.
But Bianca was completely hers. And she was proud of her. Bianca was intelligent, incisive – she was a true daughter of the Camorra. Bianca had adored Tito ever since she’d arrived on the scene, and her affection had been amply returned. It was Tito who had taught the girl how to shoot, how to do business.
‘She said she would be here,’ said Bella. ‘Or maybe she’ll go straight to the church.’
Vittore grunted a reply.
‘Where is Fabby?’ asked Bella, using her son’s baby-name. Her youngest son was always off doing something or other, mostly things that were best not known about. She had no illusions about her family; she knew what her husband and then her sons had become. What her daughter might be, too, now that she was finally getting involved in the business. Still, she loved them and excused them so much. But today, Fabio should be here.
‘Something to do with the funeral director,’ lied Vittore.
There was no trouble with the undertaker. Vittore knew that because he had handled all the arrangements himself. Fabio was off somewhere, doing something he shouldn’t. That was for sure. If he screwed up, today of all days, then Vittore promised himself he would kick Fabio’s stupid arse from here to the moon. ‘There were one or two things to be straightened out, that’s all.’
Stay Dead is the heartstopping sixth book in Jessie Keane's bestselling Annie Carter series. Annie Carter finally believes that life is good. She and Max are back together and she has a new and uncomplicated life sunning herself in Barbados. It's what she's always dreamed of. Then she gets the news that her old friend Dolly Farrell is dead, and suddenly she finds herself back in London and hunting down a murderer with only one thing on her mind…revenge. But the hunter can so quickly become the hunted, and Annie has been keeping too many secrets.
SHE THOUGHT SHE'D SEEN THE BACK OF THE DELANEYS. HOW WRONG COULD SHE BE…Annie Carter should have demanded to see their bodies lying on a slab in the morgue, but she really believed the Delaney twins were gone from her life for good.Now sinister things are happening around her and Annie Carter is led to one terrifying conclusion: her bitter enemies, the Delaney twins, didn't die all those years ago. They're back and they want her, and her family, dead.This isn't the first time someone has made an attempt on her life,yet she's determined to make it the last.
Археолог Вера Буковская при раскопках монастыря в Армении обнаруживает кусок льняной ткани с непонятными надписями и чертежом. Странная находка погружает «везучую Верочку» в кольцо динамично развивающихся событий, предсказать которые не может никто. Командор Тайного ордена хранителей Священного Копья и римский кардинал, магистр Мальтийского ордена и отставной полковник Котов, петербургский академик-востоковед Пиоровский и безжалостный итальянский специалист по «щекотливым делам» охвачены азартом охоты за утерянным тысячелетия назад артефактом.
Профессор археологии Парусников обнаруживает в Израиле захоронение Лилит – первой женщины, созданной Творцом вместе с Адамом еще до появления Евы. Согласно легенде, Лилит пыталась подчинить мир с помощью женских чар и за это была уничтожена. У еще не вскрытого учеными саркофага Лилит случайно оказывается Арина, бежавшая в Израиль от невзгод, которые обрушились на нее в Москве. Что произойдет с женщиной, которой достанется энергия Лилит? Не возникнет ли у нее желания подчинить мир своим прихотям? А если возникнет, то кто сможет остановить ее?
Эрна, молодая девушка, недавно попавшая в аварию, приходит в себя в больнице, рядом с незнакомым человеком, утверждающим, что он ее муж. Девушка не помнит, как оказалась в другом городе и когда успела выйти замуж. Что она делала последние два года? Муж пытается ей помочь вспомнить, однако о многом не рассказывает. А когда на пороге дома появляется полиция, Эрна узнает, что была последней, с кем разговаривала пропавшая без вести девушка, которая исчезла как раз в вечер аварии. Эрна должна восстановить события и понять, что ее связывает с пропавшей, о чем недоговаривает муж и какая истинная причина потери памяти. Перенесись в суровый Берлин и погрузись в мрачную историю Эрны Кайсер.
Журналистка Ия одержима своей работой. Она трудится в лучшем издании города и пишет разгромные статьи под псевдонимом Великан. Девушка настолько поглощена своим делом, что иногда даже слышит и видит дотошного старца Великана внутри себя. Нормально ли слышать голоса? Ие некогда думать об этом, ведь у неё столько дел: есть своя колонка в журнале, любящий парень, сложные отношения с родителями, строгий главный редактор и новая «великанская» статья каждый месяц. Так могло бы продолжаться бесконечно, если бы не человек, который каждую минуту наблюдает за Ией, знает её привычки и слабости, одновременно завидует, ненавидит и страстно желает девушку.
Первый день на работе всегда полон волнений. Амбициозный следователь Ольга Градова приступает к новому делу. И надо же такому случиться, что жертва — ее знакомый. Коллеги девушки считают, парень покончил с собой под воздействием наркотиков. Но она уверена: речь идет об убийстве. Окунувшись с головой в расследование, Ольга выходит на след бандитов. Но вопросов больше, чем ответов. Подозреваемых несколько, и у каждого есть мотив. Кто-то хочет получить выгоду от торговли наркотиками, кто-то — отомстить за давнее убийство криминального авторитета.
Однажды Борис Павлович Бeлкин, 42-лeтний прeподаватeль философского факультета, возвращается в Санкт-Пeтeрбург из очередной выматывающей поездки за границу. И сразу после приземления самолета получает странный тeлeфонный звонок. Звонок этот нe только окунет Белкина в чужое прошлое, но сделает его на время детективом, от которого вечно ускользает разгадка. Тонкая, философская и метафоричная проза о врeмeни, памяти, любви и о том, как все это замысловато пeрeплeтаeтся, нe оставляя никаких следов, кроме днeвниковых записей, которые никто нe можeт прочесть.