Killer Ambition - [82]
“So what’d you think of Jack Averly?” I asked. This would be the first of many conversations we’d have about how to watch and listen closely in court.
“He looked scared.”
“Scared of whom?”
Declan thought a moment. “His lawyer?”
“Well, he should’ve been, but no. He didn’t flinch when Terry gave him that hard look. I’d say first and foremost he was scared of Ian, and secondly of jail. So, assuming I’m right, what does that tell you?”
“That Ian was the mastermind?”
“We were pretty sure of that to begin with. What I’m getting at is, strategically, what does his attitude mean to us?”
Declan shook his head and leaned forward. “I give up. What?”
“He’s the one more likely to talk. Ian Powers is never going to give us the time of day-no loss, because we can’t give the puppet master a deal to testify against the puppet, anyway. But Averly’s a different story. He’s looking at a sentence of life without parole, all because he let Ian rope him into this mess-a mess he may really not have known involved murder until it was too late. So he’s a good candidate for a deal, and after seeing him in court, I have some hope that he’ll take it. The only real question is: Will he plead to something substantial enough to make the deal tenable for us?”
“What do you want to give him?”
I started to answer, then realized this was a great teachable moment about something that didn’t get talked about often enough. “I’ll tell you in a sec, but first, I want to say this: dealing out a defendant in return for his testimony should always be your last choice. I’ve seen prosecutors make deals just to make their lives easier, when they could’ve proven the case without the testimony if they’d just put in a little more work. Never, ever do that. Before you make a deal, make sure you’ve done everything you can to prove your case without that defendant’s testimony. And if you’re sure you do need it, then make sure you get the defendant to plead to the right charges. Meaning charges that accurately depict what he did. You can’t let a possible murder accomplice plead to an illegal left turn. And trust me, the jury will throw out every word he says as a liar’s package that was bought and paid for. In this case, Bailey and I think there’s a good chance Averly didn’t know what he was getting into. That would make a plea to accessory after the fact not only a good deal for him but also a fair reflection of his involvement. And he’s got at least a few of the important missing pieces we can only get from him.”
My cell phone played “Killer Joe.” Bailey.
“I’ve got to take this, so-”
Declan stood quickly. “I’m on it, boss.”
“You can start Monday, Declan.”
“I’d rather not wait.” Declan waved to me and left.
“What’s up?” I asked.
“You’ve heard the news, right?”
I sighed heavily. I’d managed to forget about it all for the past few hours. Now the memory of the ugly accusations deflated me. “Yeah.”
“I’m coming to pick you up right now,” she said. “I could use a drink and you can watch me if you’re not in the mood.”
I smiled in spite of myself. “I should get some more work done. Fisk’s demanding her speedy prelim-”
“You were ready for that thing days ago. Come on, Knight.”
I looked at the murder book-the binder detectives prepare that contains all the reports. My concentration was broken, so I probably wouldn’t be all that productive even if I tried to get back into it. And getting some distance right now might be a good thing. Sometimes, a little breathing room gives me my best inspirations.
“Okay. But let’s stay out of Hollywood.”
“Gee, how will we survive? Be downstairs in ten.”
I called Declan to tell him I was leaving and made him promise to get out soon too. When I got downstairs, Bailey stepped halfway out of her car and waved to me. “Brought you a present,” she said, pointing to the front seat.
Toni rolled down the window and gave me a broad grin. “We’re hitting the Varnish, so hurry up. They’ve got a drink with my name on it and it’s getting warm.”
The Varnish was a speakeasy-style bar, tucked into the back room of Cole’s, a nineteen-twenties diner. Dark, intimate, with small booths and the best mixed drinks I’ve ever had, it was the perfect little hidey-hole for a persona non grata like me.
After we’d imbibed enough to let go of the day, Toni seconded Bailey’s sentiments about the public reaction we’d seen.
“First of all, you’ve got to remember that was just Hollywood. They’re probably all Ian’s clients or wannabe clients-”
I shook my head. “There were a couple of working-class guys stumping for him-”
“Who benefited from his charity, right?” I nodded. “My point stands: those were all people who got something or hope to get something from Powers. There’re a lot more folks who don’t fit into either of those categories than those who do. Folks who won’t find it so hard to believe that some manager-yes, even one who’s a charity sponsor-would kill someone-”
“But people like that, and especially actors, can sway public opinion, Tone,” I said. “There’re a lot of people out there who like the idea of being in league with the stars.”
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
In Marcia Clark's most electrifying thriller yet, Los Angeles District Attorney Rachel Knight investigates a horrifying high school massacre.A Columbine-style shooting at a high school in the San Fernando Valley has left a community shaken to its core. Two students are identified as the killers. Both are dead, believed to have committed a mutual suicide.In the aftermath of the shooting, LA Special Trials prosecutor Rachel Knight teams up with her best girlfriend, LAPD detective Bailey Keller. As Rachel and Bailey interview students at the high school, they realize that the facts don't add up.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
Обстоятельный и дотошный инспектор амстердамской полиции Ван дер Вальк расследует странное убийство домохозяйки («Ать-два!»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.
Книга написана по сценарию известного российского драматурга А.В. Тимма. На страницах романа вы встретитесь со старыми знакомыми, полюбившимися вам по сериалу «NEXT», — благородным и великодушным Лавром, его сыном Федором, добродушным весельчаком Санчо и решительной Клавдией. Увлекательное повествование вводит в мир героев, полный настоящих рыцарских подвигов и романтических приключений.
В повести «Искупление» автор показывает, как человек, стремящийся к чувственным наслаждениям, попадает под подозрение в убийстве и вынужден скрываться от полиции. Находясь на нелегальном положении, он постоянно подвергается опасности. Это заставляет его пересмотреть свои взгляды на смысл и основные цели своей жизни. В основу повести Ильичева В. А. положен опыт работы автора в уголовном розыске. Читатель знает автора по книгам «Элегантный убийца», «Гильотина для палача», «Тайна семи грехов», «Навстречу Вечности», «Жизнь и криминал», «Приключения подмигивающего призрака» и ряду других.
Над Кольским полуостровом нависла полярная ночь. Солнечные лучи уже давно не заглядывали в окна. По утрам было сумрачно, и постоянно болела голова, отчего Павел Николаевич Ларин зачастую впадал в меланхолию. Всё же лучше быть седым, чем лысым, — подметил Павел Николаевич и, насухо обтеревшись махровым полотенцем, освежил гладко выбритые щёки пахучим одеколоном. Что воскресенье, что понедельник — теперь всё было едино… Павел Николаевич непроизвольно начал размышлять о превратностях беззаботной старческой жизни.
Предать жену и детей ради любовницы, конечно, несложно. Проблема заключается в том, как жить дальше? Да и можно ли дальнейшее существование назвать полноценной, нормальной жизнью?…
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».