Killer Ambition - [70]
Seeing his reaction, Eric added, “We’d certainly file if it were anyone else, Bill. And if we don’t, you can expect there’ll be victims’ rights groups who’ll accuse you of playing favorites.”
Predictably, the possibility of public backlash was what got Vanderhorn’s attention. Hollywood was powerful, but he couldn’t win an election if everyone outside of Hollywood hated him. Vanderputz was on the horns of what was, in his world, a true dilemma.
“I want to see those reports. I’ll make my decision then.”
That concluded the proceedings, and Eric and I headed back to our humble neck of the woods.
“Now I’m praying the evidence doesn’t come back to Powers. If I have to keep dealing with crap like that, I’ll go postal.”
Eric shook his head sadly. “Now you did it. The gods of trial are sure to punish you. The minute you say you don’t want it, that’s when you get it.”
I laughed. “Thanks, Eric, I needed that.”
“I wasn’t kidding.”
“Neither was I.” I waved to him and walked back down the hall to my office.
Ten minutes later, I got a call from Bailey.
“Put on your flak vest. We’ve got Ian’s prints and hair in Averly’s Mustang and Ian’s thumb and index print on the trunk of Brian’s car. And we’ve got Averly’s prints on the interior driver’s door handle of Brian’s car-”
“So how do you see it?” I asked. “Averly drove Brian’s car to the airport with Hayley’s body in the trunk, and Ian drove Averly’s car?”
“Possibly, but here’s the best part: Remember that bloodstain on the trunk of Brian’s car?”
“Of course.”
“Well, it’s a mixture of Hayley’s and Ian Powers’s-”
“Holy shit-”
“Wait, it gets better: that bloodstain is right next to Ian’s thumbprint.”
I sucked in a lungful of air. “No kidding?” That was one hell of a lot of circumstantial evidence. But it all hinged on the blood. Prints were great, but we’d never be able to say when they got there. Same with Ian’s hair. But a mixture of Ian’s and Hayley’s blood. That was undeniable. Then why was I nervous? Would I feel this way if the defendant was just an Average Joe? Probably not. The thought rankled.
“Right? One hell of a case. But I gotta run. Got to bring the brass up to speed and get them ready for an arrest. I’ll have the reports walked over to you so you can start filing.”
Bailey sounded stoked, so I didn’t want to be a buzzkill and tell her that I wasn’t flying solo on this one, that Vanderhorn would make the final call on whether to file-and that his approval was by no means a foregone conclusion. “I’m on it.”
Of course, this meant I’d have to go back to Vanderhorn immediately. Two meetings in one day. Talk about cruel and unusual punishment.
43
I called Eric and gave him the news. His response?
“Told you so.” I had a feeling there were a lot more “told you so’s” in my near future. “Call me back when you have the reports in hand. I’ll set up the meeting with Vanderhorn.”
I couldn’t sit still, so I went down the hall to see Melia. I had a question for her, and I wanted to ask it in person. I moved back up the hallway and found her chattering excitedly on the phone. When she saw me in the doorway, she quickly said, “Call you later,” and hung up.
“Hi, Rachel!”
“Hi, Melia!” Another secretary might’ve caught the note of sarcasm, but that secretary would not be Melia. “I was just wondering, who’ve you given my cell phone number to? I just need to know what to expect.” I’d deliberately framed the question to assume she’d given out my number in the hope that it’d lull her into admitting it.
“No one.” She stared off for a moment, mouth partially open, as she considered the question further. “Nuh-uh, I’m sure I didn’t give it out to anyone. Why, is there someone you want me to give it to?”
No nervousness, no embarrassment. She was telling the truth.
“No, not that I can think of right now. But I expect there’ll be calls from the press and the tabs if we file the case, and I don’t want them to be able to reach me on my cell. You know how much I hate the press-”
“I’d never give your number to the press. Eric told me never to give out deputies’ cell phone numbers a long time ago.”
Then how did that tabloid reporter, Andrew Chatham, get my cell phone number?
“Uh, excuse me, I have something to deliver to Ms. Knight,” said a male voice behind me. I turned to see a uni holding a manila envelope. The reports from Bailey.
I told him I was the one he was looking for and he started to ask me for ID, but Melia interceded.
“It’s her.”
Why that was sufficient to allay his concern I have no idea, but he handed me the envelope and I thanked him. As I walked back to my office, I noticed it was taped closed. It was unusual to seal reports this way-let alone have them hand-delivered, but this case required extraordinary measures. I reviewed all the reports, just to make sure there were no hidden surprises. I didn’t see any, but I was about to go in and do battle with the Meathead, so I decided to call Dorian and make sure there were no caveats to be wary of.
“Dorian, I read everything, but I have to go and sell this case to Vanderhorn. Is there anything I should know that isn’t in these reports?”
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
In Marcia Clark's most electrifying thriller yet, Los Angeles District Attorney Rachel Knight investigates a horrifying high school massacre.A Columbine-style shooting at a high school in the San Fernando Valley has left a community shaken to its core. Two students are identified as the killers. Both are dead, believed to have committed a mutual suicide.In the aftermath of the shooting, LA Special Trials prosecutor Rachel Knight teams up with her best girlfriend, LAPD detective Bailey Keller. As Rachel and Bailey interview students at the high school, they realize that the facts don't add up.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
Будущее Джимми Кьюсака, талантливого молодого финансиста и основателя преуспевающего хедж-фонда «Кьюсак Кэпитал», рисовалось безоблачным. Однако грянул финансовый кризис 2008 года, и его дело потерпело крах. Дошло до того, что Джимми нечем стало выплачивать ипотеку за свою нью-йоркскую квартиру. Чтобы вылезти из долговой ямы и обеспечить более-менее приличную жизнь своей семье, Кьюсак пошел на работу в хедж-фонд «ЛиУэлл Кэпитал». Поговаривали, что благодаря финансовому гению его управляющего клиенты фонда «никогда не теряют свои деньги».
Очнувшись на полу в луже крови, Роузи Руссо из Бронкса никак не могла вспомнить — как она оказалась на полу номера мотеля в Нью-Джерси в обнимку с мертвецом?
Действие романа происходит в нулевых или конце девяностых годов. В книге рассказывается о расследовании убийства известного московского ювелира и его жены. В связи с вступлением наследника в права наследства активизируются люди, считающие себя обделенными. Совершено еще два убийства. В центре всех событий каким-то образом оказывается соседка покойных – молодой врач Наталья Голицына. Расследование всех убийств – дело чести майора Пронина, который считает Наталью не причастной к преступлению. Параллельно в романе прослеживается несколько линий – быт отделения реанимации, ювелирное дело, воспоминания о прошедших годах и, конечно, любовь.
Егор Кремнев — специальный агент российской разведки. Во время секретного боевого задания в Аргентине, которое обещало быть простым и безопасным, он потерял всех своих товарищей.Но в его руках оказался секретарь беглого олигарха Соркина — Михаил Шеринг. У Шеринга есть секретные бумаги, за которыми охотится не только российская разведка, но и могущественный преступный синдикат Запада. Теперь Кремневу предстоит сложная задача — доставить Шеринга в Россию. Он намерен сделать это в одиночку, не прибегая к помощи коллег.
Опорск вырос на берегу полноводной реки, по синему руслу которой во время оно ходили купеческие ладьи с восточным товаром к западным и северным торжищам и возвращались опять на Восток. Историки утверждали, что название городу дала древняя порубежная застава, небольшая крепость, именованная Опорой. В злую годину она первой встречала вражьи рати со стороны степи. Во дни же затишья принимала застава за дубовые стены торговых гостей с их товарами, дабы могли спокойно передохнуть они на своих долгих и опасных путях.
Из экспозиции крымского художественного музея выкрадены шесть полотен немецкого художника Кингсховера-Гютлайна. Но самый продвинутый сыщик не догадается, кто заказчик и с какой целью совершено похищение. Грабители прошли мимо золотого фонда музея — бесценной иконы «Рождество Христово» работы учеников Рублёва и других, не менее ценных картин и взяли полотна малоизвестного автора, попавшие в музей после войны. Читателя ждёт захватывающий сюжет с тщательно выписанными нюансами людских отношений и судеб героев трёх поколений.