Как писать о современном искусстве - [91]

17 Azimi N. Fluffy Farhad // Bidoun. 20 (Spring 2010); http://www.bidoun.org/magazine/20-bazaar/fluffy-farhad-by-negar-azimi/

18 Wenzel E. 100 % Berlin // ArtSlant. 22 April 2012; http://www.artslant.com/ber/articles/show/30583

19 Kraus C. Untreated Strangeness // Where Art Belongs. Los Angeles: Semiotext[e], 2011. P. 145–146.

20 Thompson J. New Times, New Thoughts, New Sculpture // The Collected Writings of Jon Thompson / Ed. by Jeremy Akerman and Eileen Daly. London: Ridinghouse, 2011. P. 92–123 (ранее в изд.: Thompson J. Gravity and Grace: The Changing Condition of Sculpture 1965–1975. London: Hayward, 1993).

21 O’Doherty B. Boxes, Cubes, Installation, Whiteness and Money // A Manual for the 21^st Century Art Institution. Cologne: Koenig; London: Whitechapel, 2009. P. 26–27.

22 Kwon M. One Place After Another: Notes on Site Specificity // October. Vol. 80 (Spring 1997).

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23 Burns C. Artists take to the streets as Brazilians demand spending on services, not sport // The Art Newspaper 248 (July – August 2013. P. 3.

24 [Unsigned]. Hong Kong Spring Sales Reach More Solid Ground // Asian Art (May 2013). P. 1; http://www.asianartnewspaper.com/sites/default/files/digital_issue/AAN%20MAY2013%20web.pdf

25 Herbert M. Richard Serra // Frieze Art Fair Yearbook. London: Frieze, 2008–2009. Б. п.

26 Lange C. Andrew Dadson // Frieze Art Fair Yearbook. London: Frieze, 2008–2009. Б. п.

27 Rehberg V. Aya Takano // Frieze Art Fair Yearbook. London: Frieze, 2008–2009. Б. п.

28 Durant M.A., Marsching J.D. Out-of-Sync // Blur of the Otherworldy: Contemporary Art, Technology and the Paranormal. Baltimore, MD: Center for Art and Visual Culture, University of Maryland, 2006. P. 134.

29 Tuason I. Seth Price // The Guidebook of dOCUMENTA (13). Ostfildern: Hatje Kantz Verlag, 2012. P. 264.

30 [Unsigned]. Decorative Newsfeeds // Thomson & Craighead, 2004. British Council Collection website. N. d.; http://collection.britishcouncil.org/collection/artist/5/19193/object/49377

31 [Unsigned]. Stan Douglas wins the 2013 Scotiabank Photography Award // Scotiabank website. 16 May

2013; http://www.scotiabank.com/photoaward/en/files/13/05/Stan_Douglas_wins_the_2013_Scotiabank_Photography_Award.html

32 [Unsigned]. Harun Farocki. Against What? Against Whom? // Raven Row website. November2009; http://www.ravenrow.org/exhibition/harunfarocki/

33 [Unsigned]. Robin Rhode: The Call of Walls // National Gallery of Victoria website. May 2013; http://www.ngv.vic.gov.au/whats-on/exhibitions/exhibitions/robin-rhode

34 [Unsigned]. Jean Dubuffet (1901–1985). La Fille au Peigne (1950) // Christie’s Postwar and Contemporary Art Evening Sale. 12 November 2008. New York.

35 Gregory A. On the Market // n+1 Magazine. 1 March 2012; http://nplusonemag.com/on-the-market

36 Als. H. Daddy. May 2013; http://www.hiltonals.com/2013/05/daddy/

37 Verwoert J. Neo Rauch at David Zwirner Gallery // frieze. 94 (October 2005); http://www.frieze.com/issue/review/neo_rauch1/

38 Smith R. The Colors and Joys of the Quotidian // New York Times. 28 February 2013; http://www.nytimes.com/2013/03/01/arts/design/ lois-dodd-catching-the-light-at-portlandmuseum-in-maine.html?pagewanted=1

39 O’Reilly S. Review: Seven Days in the Art World // Art Monthly (November 2008). P. 32.

40 Bankowsky J. Previews: Haim Steinbach // Artforum. Vol. 51. No. 9 (May 2013). P. 155.

41 Davis D. Frieze New York Ices the Competition with its First Edition on Randall’s Island // BlouinArtinfo. 4 May 2012; http://www.blouinartinfo.com/news/story/802849/frieze-new-york-ices-the-competition-with-itsfirst-edition-on

42 Davis B. Speculations on the Production of Social Space in Contemporary Art, with Reference to Art Fairs // BlouinArtinfo. 10 May 2012. Б. п.; http://www.blouinartinfo.com/news/story/803293/speculations-on-the-production-of-social-spacein-contemporary-art-with-reference-to-art-fairs

43 Thompson D. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art and Auction Houses. London: Aurum, 2008. P. 13–14.

44 Hickey D. Orphans // Art in America (January 2009). P. 35–36.

45 Szymczyk A. Touching from a Distance: on the Art of Alina Szapocznikow // Artforum. Vol. 50. No. 3 (November 2011). P. 220.

46 Blazwick I. The Found Object // Cornelia Parker. London; New York: Thames & Hudson, 2013. P. 32–33.

47 Farquharson A. The Avant Garde, Again // Carey Young, Incorporated. London: Film & Video Umbrella, 2002; http://www.careyyoung.com/essays/farquharson.html

48 Tillman L. Portrait of a Young Painter Levitating // Karin Davie: Selected Works. New York: Rizzoli; Albright Knox Museum, Buffalo, NY, 2006. P. 149.

49 Demos T. J. Art After Nature: on the Post-Natural Condition // Artforum. Vol. 50. No. 8 (Apr 2012). P. 191–197.

50 Truitt A. Daybook: The Journal of an Artist, 1974–1979 // Stiles K., Selz P., eds. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Berkeley and Los Angeles: University of California Press, 2012 (2-е изд. под ред. Кристины Стайлс). P. 100.

51 Angus J. Artist statement // The Centre for Contemporary Canadian Art website. N. d.; http://ccca.concordia.ca/statements/angus_statement.html