High Country Nocturne - [45]
A more thorough sweep of the office revealed nothing special, certainly not safes containing stolen diamonds for wholesale.
I slipped on the latex gloves and locked the door from the office to the hallway. Then I went back into the private office.
The corpse’s wallet contained credit cards, a health-insurance card-little late for that now-two twenties, and a few business cards that only gave his name and phone numbers. Stuck to a credit card was a driver’s license. I disentangled them and held it up to the ambient light. The license was issued to Matt Pennington. He was forty-five and showed a Scottsdale address.
“Find Matt Pennington,” Peralta had written to me. Here he was.
Using the memo app on my iPhone, I wrote down the information. Then I slid the wallet back and went through his front slacks’ pockets with more difficulty. His bladder had emptied and, surprisingly in the dry climate, the pants had not dried. Keys in one pocket. A pack of cigarettes in another.
No cell phone. I ran my hand around his belt, and there was no phone case on it, either.
I went back to the pack of smokes, reached in, and pulled the box out.
It was the distinctive blue hardpack of Gauloises Blondes, the same brand Lindsey sometimes smoked. She bought them online because they weren’t imported into the country anymore.
The health warning was inscribed in French at the bottom of the azure front panel.
“No kidding.” I muttered quietly. Talking to dead people was something I had learned as a young deputy, the black humor that saved us. Tom Frazier and his fellow EMTs probably did the same thing. Always out of earshot of civilians, of course.
The pack had been unwrapped and I opened it. Half the cigarettes had been smoked and a matchbook was inside. I dug it out, hoping it advertised a bar or restaurant where Pennington might have been a regular. It was blank.
But not on the inside.
In blue ink, someone had written a phone number. I copied it on the iPhone and replaced the cigarettes in his damp pocket.
Down on one knee, I could see his face. “What the hell did you have this for?”
I asked. The face, purple from lividity, blood collecting after the heart stopped, did not answer.
Chapter Nineteen
The air conditioning switched off and the rooms grew very quiet as I studied the scene. There’s no easy way to die but this was particularly…I searched for the right word. Something between “gutsy,” the ability to hang yourself from a doorknob and not stop when all you had to do was lower your arms and hands and take the pressure off your neck, because this would not be a fast way to kill oneself.
That, and “preposterous.” If you wanted to kill yourself and you are on the eighteenth floor of an office tower, why not leap through the window, or toss a chair through first and follow it down to the pavement? This building was a creation of the 1980s and I doubted the windows were that strong, particularly since it was thrown up on the cheap during the years of the savings-and-loan racket.
Unless you didn’t kill yourself but had help.
You were “suicided.”
I was very conscious of the sound of my breathing as I checked his wrists.
Pennington looked a little under six feet and in good shape, easily strong enough to fight back against a five-five woman. Unless she had a gun on him.
What if he had been handcuffed from behind and left to slowly strangle? Or tortured for information, a little bit of pressure applied from the back, as he slowly suffocated from the neckties. He would have held out hope until the darkness closed around him and slammed shut for the last time.
His pale, stiff wrists showed no cuts from being handcuffed. But there were ways around this, such as putting something like a washcloth between the skin and the hard metal of the cuffs. That way, any evidence the person had been shackled from behind as he slowly suffocated and struggled would be more difficult to detect.
Plastic Flexcuffs were another option. Use a gun to intimidate, make him get on his knees, restrain him, put the ties around his neck, start asking questions.
Strawberry Death probably had better tricks than that.
My tricks were limited by time, by who might be expecting Pennington’s office to be open. I quickly went through his desk drawers, the most interesting item being a nine-millimeter pistol in the top right-hand drawer, for all the good it did him. Or, if he really wished to kill himself, why not use that?
I did a quick study of his desk. The top was cleared of everything but a blotter and a telephone. Not even a laptop. In fact, there was no computer in the office, although there was a charging cord and a T1 cable. Strawberry Death took his laptop.
If it was her. Historians are warned against something called confirmation bias, where every piece of information backs up your existing hypothesis. It’s a big no-no. Pennington might have made many enemies. But she was the killer at-large whom I knew.
There was something else: besides the faint but growing odor of death from Pennington’s corpse, I detected traces of Chanel Number Five.
In this "prequel" to the popular David Mapstone mysteries, author Jon Talton takes us back to 1999, when everything dot-com was making money, the Y2K bug was the greatest danger facing the world, and the good times seemed as if they would never end.It was a time before David and Lindsey were together, before Mike Peralta was sherriff, and before David had rid himself of the sexy and mysterious Gretchen.In Phoenix, it's the sweet season and Christmas and the new millennium are only weeks away. But history professor David Mapstone, just hired by the Sheriff's Office, still finds trouble, chasing a robber into an abandoned warehouse and discovering a gruesome crime from six decades ago.Mapstone begins an investigation into a Depression-era kidnapping that transfixed Arizona and the nation: the disappearance of a cattle baron's grandsons, their bodies never found.
The private-detective business starts out badly for former Phoenix Deputy David Mapstone, who has teamed up with his old friend and boss, Sheriff Mike Peralta. Their first client is gunned down just after hiring them. The case: A suspicious death investigation involving a young Arizona woman who fell from a condo tower in San Diego. The police call Grace Hunter's death a suicide, but the client doesn't buy it. He's her brother. Or is he? After his murder, police find multiple driver's licenses and his real identity is a mystery.
Cheryl Beth Wilson is an elite nurse at Cincinnati Memorial Hospital who finds a doctor brutally murdered in a secluded office. Wilson had been having an affair with the doctoras husband, a surgeon, and this makes her a aperson of interesta to the police, if not at outright suspect. But someone other than the cops is watching Cheryl Beth.The killing comes as former homicide detective Will Borders is just hours out of surgery. But as his stretcher is wheeled past the crime scene, he knows this is no random act of violence.
A handsome young New York professor comes to Phoenix to research his new book. But when he's brutally murdered, police connect him to one of the world's most deadly drug cartels. This shouldn't be a case for historian-turned-deputy David Mapstone – except the victim has been dating David's sister-in-law Robin and now she's a target, too. David's wife Lindsey is in Washington with an elite anti-cyber terror unit and she makes one demand of him: protect Robin.This won't be an easy job with the city police suspicious of Robin and trying to pressure her.
Cincinnati homicide Detective Will Borders now walks with a cane and lives alone with constant discomfort. He's lucky to be alive. He's lucky to have a job, as public information officer for the department. But when a star cop is brutally murdered, he's assigned to find her killer. The crime bears a chilling similarity to killings on the peaceful college campus nearby, where his friend Cheryl Beth Wilson is teaching nursing. The two young victims were her students. Most homicides are routine, the suspects readily apparent.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
«Золотая пуля» — так коллеги-журналисты называют Агентство журналистских расследований, работающее в Петербурге. Выполняя задания Агентства, его сотрудники встречаются с политиками и бизнесменами, милиционерами и представителями криминального мира. То и дело они попадают в опасные и комичные ситуации.Первая книга цикла состоит из тринадцати новелл, рассказываемых от лица журналистов, работающих в Агентстве. У каждого из них свой взгляд на мир, и они по-разному оценивают происходящие как внутри, так и вне Агентства события.Все совпадения героев книги с реальными лицами лежат на совести авторов.
Верить «Золотой пуле» в каждом конкретном случае необязательно, но к атмосфере, излучаемой и воссоздаваемой журналистами, переквалифицировавшимися в писателей, надо отнестись с доверием. Именно этим воздухом мы, к сожалению, и дышим.