Guilt By Degrees - [4]
The defendant pulled his head down toward his shoulders, shrinking to make himself a smaller target.
Defense counsel jumped up. “Objection! Suggestive and improper! Motion to strike!”
Judge Foster raised an eyebrow. “Are you sure you want me to strike that, Counsel? You can’t think of a way to use that brilliant move in front of a jury?” he said, the word brilliant soaked in sarcasm.
Walter smiled. “Withdrawn.”
“Indeed,” the judge said.
By forcing the witness to focus on the defendant, Brandon had basically tubed his own case. Now, even if the surfer dude did identify the defendant, Schoenfeld would be able to tell the jury that the witness had been strong-armed into it.
The judge’s tone had been relatively mild, given his notorious distaste for all counsel. I figured he must have a soft spot for Walter. Judge Foster was a big man, six feet three barefoot and about 270 pounds. As smart as he was impatient, he didn’t need a microphone to be heard in court. When an attorney got on his nerves-a more than daily occurrence-you could hear it in the cafeteria, five floors below. I’d always liked him because, although he was a tough old bird, he was equally nasty to everyone. In my book, the perfect judge.
The witness did as he was told and looked straight at the defendant, who was so nervous I could hear him sweating.
“Nuh…uh, no,” the witness said in a thin, wobbly voice. “I seen him there, on the street, but I din’t see him stab nobody.”
“But isn’t it true that you told the police at the scene that this man,” Averill said, pointing to the defendant, “was the man who’d done the stabbing?”
The defense attorney was on his feet again. “Objection! Improper impeachment!”
But the judge waved him off. “Have a seat, Counsel. Maybe it is, and maybe it isn’t. But let’s cut to the chase, shall we? It’s just a preliminary hearing. No sense pussyfooting around.” The judge turned to the witness. “Did you tell the police this was the man who did the stabbing? Yes or no?”
The witness rubbed his soul patch, clearly torn. “Well…uh. Not exactly…Your…uh…Your Worship.”
“Just a simple Your Honor will do,” Judge Foster said. “Then what did you tell the police?”
“I just said I seen the dude,” he said, turning toward the defendant, a man named Yamaguchi. “He was, like, nearby, you know? But I din’t ever say I saw him, like, stab nobody, you know?”
Brandon Averill was red-faced. “Wait a minute, you mean you’re denying that you pointed out this defendant at the scene and told the cop that you saw him stab that guy?”
“Yuh…uh, yeah,” the witness said, casting a furtive look at the defendant. “I’m denying it.”
Brandon turned back to counsel table and shuffled through some papers as the courtroom again fell silent, waiting. Judge Foster had just opened his mouth to tell the prosecutor something he undoubtedly wouldn’t be happy to hear when Averill produced a report with a flourish and marched up to the witness stand.
“Isn’t that your name?” he asked, pointing to the top of the page. “Charlie Fern?”
The witness mouthed the words quietly. “Uh, yeah.”
“Then read this statement aloud for us,” the prosecutor demanded, pointing to a line on the page.
“Objection! Hearsay! What the cop wrote on that report is hearsay!” Schoenfeld shouted, again on his feet.
“It is,” the judge agreed. “Sustained.”
Brandon Averill’s mouth opened and closed without sound like a netted fish’s while he tried to grab hold of a thought. “It’s not admitted for the truth of the matter. It’s…uh, well, it’s offered to prove the witness’s state of mind.”
“And this witness’s state of mind is in issue because…?” Judge Foster asked, his tone sarcastic. “He’s here to identify the defendant as the stabber, true or false?”
“True, Your Honor. But I-,” Averill began.
The judge cut him off.
“There is no but, Counsel.” The judge’s merely annoyed tone of a few minutes ago had given way to truly pissed off. Of all the judges in the building, Brandon had picked the worst one to hear a case this weak, this poorly prepared. The only things Judge Foster hated more than unprepared lawyers were cases that were too thin to be in court. He’d called the district attorney’s filing unit more than once to “order” them not to file cases that couldn’t make it past a preliminary hearing. If a case wasn’t even strong enough to show probable cause, which boiled down to the standard of “more likely than not,” then it shouldn’t be in court, wasting his time.
Now he turned to Brandon Averill, his bushy brows pulled down, his voice ominously low. “Your eyewitness has denied making the statement attributed to him by the officer. If you want to get that statement into evidence, you’ll have to call the officer. This gentleman”-the judge gestured to Charlie Fern, who’d probably never been called that before in his life-“does not seem inclined to go along with the program.”
I could see the skin around Brandon Averill’s collar turn red. “Can I have a moment to call the investigating officer, Your Honor?”
“You may have exactly one minute, Counsel,” Judge Foster said, his voice beginning to rise. “In the meantime, I presume we’re finished with this witness? That is, unless defense counsel would like to try and change his mind?”
In Marcia Clark's most electrifying thriller yet, Los Angeles District Attorney Rachel Knight investigates a horrifying high school massacre.A Columbine-style shooting at a high school in the San Fernando Valley has left a community shaken to its core. Two students are identified as the killers. Both are dead, believed to have committed a mutual suicide.In the aftermath of the shooting, LA Special Trials prosecutor Rachel Knight teams up with her best girlfriend, LAPD detective Bailey Keller. As Rachel and Bailey interview students at the high school, they realize that the facts don't add up.
When the daughter of a billionaire Hollywood director is found murdered after what appears to be a kidnapping gone wrong, Los Angeles Special Trials prosecutor Rachel Knight and Detective Bailey Keller find themselves at the epicenter of a combustible and high-profile court case.Then a prime suspect is revealed to be one of Hollywood's most popular and powerful talent managers-and best friend to the victim's father.With the director vouching for the manager's innocence, the Hollywood media machine commences an all-out war designed to discredit both Rachel and her case.KILLER AMBITION is at once a thrilling ride through the darker side of Tinseltown and a stunning courtroom drama with the brilliant insider's perspective that Marcia Clark is uniquely qualified to give.
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
На этот раз следователь по особо важным делам Клавдия Дежкина расследует дело проститутки, обвиненной в краже у иностранцев крупной суммы в долларах. К тому же девушка оказалась причастна ко всему, что происходило в притоне, организованном в квартире одного известного актера, убийство которого считалось уже раскрытым. Именно в этой квартире находился тайник со свинцовыми стенками, содержащий видеокассеты с компроматом. Следы ведут в саму городскую прокуратуру.
Плохо, если мы вокруг себя не замечаем несправедливость, чьё-то горе, бездомных, беспризорных. Ещё хуже, если это дети, и если проходим мимо. И в повести почти так, но Генка Мальцев, тромбонист оркестра, не прошёл мимо. Неожиданно для всех музыкантов оркестра взял брошенных, бездомных мальчишек (Рыжий – 10 лет, Штопор – 7 лет) к себе домой, в семью. Отмыл, накормил… Этот поступок в оркестре и в семье Мальцева оценили по-разному. Жена, Алла, ушла, сразу и категорически (Я брезгую. Они же грязные, курят, матерятся…), в оркестре случился полный раздрай (музыканты-контрактники чуть не подрались даже)
Действие романа сибирского писателя Владимира Двоеглазова относится к середине семидесятых годов и происходит в небольшом сибирском городке. Сотрудники райотдела милиции расследуют дело о краже пушнины. На передний план писатель выдвигает психологическую драму, судьбу человека.Автора волнуют вопросы этики, права, соблюдения законности.
From the international bestselling author, Hans Olav Lahlum, comes Chameleon People, the fourth murder mystery in the K2 and Patricia series.1972. On a cold March morning the weekend peace is broken when a frantic young cyclist rings on Inspector Kolbjorn 'K2' Kristiansen's doorbell, desperate to speak to the detective.Compelled to help, K2 lets the boy inside, only to discover that he is being pursued by K2's colleagues in the Oslo police. A bloody knife is quickly found in the young man's pocket: a knife that matches the stab wounds of a politician murdered just a few streets away.The evidence seems clear-cut, and the arrest couldn't be easier.
A handsome young New York professor comes to Phoenix to research his new book. But when he's brutally murdered, police connect him to one of the world's most deadly drug cartels. This shouldn't be a case for historian-turned-deputy David Mapstone – except the victim has been dating David's sister-in-law Robin and now she's a target, too. David's wife Lindsey is in Washington with an elite anti-cyber terror unit and she makes one demand of him: protect Robin.This won't be an easy job with the city police suspicious of Robin and trying to pressure her.
From the creator of the groundbreaking crime-fiction magazine THUGLIT comes…DIRTY WORDS.The first collection from award-winning short story writer, Todd Robinson.Featuring:SO LONG JOHNNIE SCUMBAG – selected for The Year's Best Writing 2003 by Writer's Digest.The Derringer Award nominated short, ROSES AT HIS FEET.THE LONG COUNT – selected as a Notable Story of the Year in Best American Mystery Stories 2005.PLUS eight more tales of in-your-face crime fiction.