Desperate Measures - [10]
Don was very protective of her. When one of the other housemates, a boy from Liverpool, referred to her as ‘the Duchess’ on account of her accent and the fact that her family were comfortably off, Don had said, ‘Her name is Norma.’ And his tone was so cold and firm that Robbie, who could be quite argumentative, simply held up his hands and muttered, ‘Fine by me, kiddo.’
There was a photograph she remembered from that time. Don’s 21st. Most people celebrated their 18th by that time and Don had done, at home, but he wanted to celebrate this time, just with friends. They had a house party. Someone’s girlfriend took a photo early on. Robbie made some punch, which had Norma squiffy after one glass. The housemates posed in the back garden, Norma in the centre, Don and Robbie either side of her and the other two girls on either edge. Norma looked like a doll next to Don, pale even though it was summertime. She never could take the sun, went red and peeled if she tried to. Her hair was silver blonde, her head reached his chest. She sometimes wondered if Don’s desire to support and defend her came from the fact that she was so petite. If he had been shorter or she’d been taller or less slender would he still have treated her like that? Or would he have done that for anyone he loved?
And now – where was he now? How could he just leave her like this? How would she survive? Norma felt despicable, the shame hot in her guts because when the police told her he was dead, her first thought was not for Don – she didn’t think about what might have happened to him or if he had suffered – but for herself. What it meant for her. She was so selfish. But how would she cope without him? It was impossible. She pushed the thought away and went in search of solace. Something medicinal, she thought, tears standing in her eyes, for the shock.
For the shock.
Chapter 8
It had all seemed to happen so quickly, she thought, as Adele went over and over the sequence of events during the day after the inquest: Marcie changing from a goofy twelve-year-old who liked baking and Buffy the Vampire Slayer and hanging around the Arndale Centre with her mates from school, to a sulky, withdrawn girl who was out all hours and bunking off.
It was Howard who first called it. Adele thought it was teenage rebellion (and maybe that was part of it) and that after a few months of back-chat and door slamming and sleepless nights for Adele, Marcie would re-emerge but as soon as money started disappearing from his wallet and Adele’s purse Howard realized. ‘She’s using it for drugs,’ he said.
‘No way. She’d never touch them, she doesn’t even smoke,’ said Adele, who couldn’t kick her own fifteen-a-day habit. ‘You’re wrong.’
They’d confronted Marcie who had sworn on her grandma’s grave that she’d never touched any drugs or taken any money and had flounced out of the house.
Adele was wild with anxiety. She looked up help lines and advice services, all the while thinking maybe Howard was mistaken. Then the police came round. Marcie had been caught breaking into a car.
It was all downhill after that.
Those endless nights, lying awake, Adele kept imagining her hurt or being hurt, nodding off in some filthy rat hole or freezing to death in a shop doorway. Some nights they’d go out looking for her, driving around, a blanket and a thermos for her in the back.
They found her a couple of times and persuaded her to come home. And the next time Marcie left, something else would be missing, jewellery, mobile phone, DVDs – anything portable she could sell.
The hardest thing was Marcie’s point blank refusal to talk about what was happening, to admit that was a problem, to accept that she was an addict. Smelling dirty and with her face all spots and scabs, she’d eat sugar by the spoonful, half a bag at a time. She was skin and bone in a few short months. There was sometimes a moment when Adele caught sight of the girl beneath all this, a glint of mischief in her gaze, but most of the time the habit seemed to swallow Marcie whole.
Adele was frantic to help but could see no way. If she’d had more money she could’ve paid for the stuff herself, rationing it out, so at least the stealing and lying and run-ins with the police wouldn’t happen.
The spectre of prostitution hovered close by. Adele didn’t know if Marcie was already embroiled in that but knew that it came with the territory. Prostitution, AIDS, homelessness, overdoses.
Don’t give them money, that was what all the charities said, money will go straight to the addiction. It doesn’t help. Not the answer.
‘What’s it like?’ Adele asked her one evening. Marcie was getting jittery. Adele could see it in the way her eyes swung about, the muscles jumping under her skin. ‘What does it feel like, the heroin?’
Marcie waited a moment, mouth open, finding the words, then said, ‘Heaven.’ And a look of lust and longing filled her eyes.
‘What it does to you, what it’s doing…’
Marcie shivered and scratched her neck. ‘You don’t get it,’ she said.
‘Maybe not,’ Adele said, her voice rising, ‘but what I do get is that you can’t carry on like this, babe. It’ll kill you. Don’t go out,’ she had begged later, ‘I’ll sit up with you.’
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
Археолог Вера Буковская при раскопках монастыря в Армении обнаруживает кусок льняной ткани с непонятными надписями и чертежом. Странная находка погружает «везучую Верочку» в кольцо динамично развивающихся событий, предсказать которые не может никто. Командор Тайного ордена хранителей Священного Копья и римский кардинал, магистр Мальтийского ордена и отставной полковник Котов, петербургский академик-востоковед Пиоровский и безжалостный итальянский специалист по «щекотливым делам» охвачены азартом охоты за утерянным тысячелетия назад артефактом.
Профессор археологии Парусников обнаруживает в Израиле захоронение Лилит – первой женщины, созданной Творцом вместе с Адамом еще до появления Евы. Согласно легенде, Лилит пыталась подчинить мир с помощью женских чар и за это была уничтожена. У еще не вскрытого учеными саркофага Лилит случайно оказывается Арина, бежавшая в Израиль от невзгод, которые обрушились на нее в Москве. Что произойдет с женщиной, которой достанется энергия Лилит? Не возникнет ли у нее желания подчинить мир своим прихотям? А если возникнет, то кто сможет остановить ее?
Эрна, молодая девушка, недавно попавшая в аварию, приходит в себя в больнице, рядом с незнакомым человеком, утверждающим, что он ее муж. Девушка не помнит, как оказалась в другом городе и когда успела выйти замуж. Что она делала последние два года? Муж пытается ей помочь вспомнить, однако о многом не рассказывает. А когда на пороге дома появляется полиция, Эрна узнает, что была последней, с кем разговаривала пропавшая без вести девушка, которая исчезла как раз в вечер аварии. Эрна должна восстановить события и понять, что ее связывает с пропавшей, о чем недоговаривает муж и какая истинная причина потери памяти. Перенесись в суровый Берлин и погрузись в мрачную историю Эрны Кайсер.
Журналистка Ия одержима своей работой. Она трудится в лучшем издании города и пишет разгромные статьи под псевдонимом Великан. Девушка настолько поглощена своим делом, что иногда даже слышит и видит дотошного старца Великана внутри себя. Нормально ли слышать голоса? Ие некогда думать об этом, ведь у неё столько дел: есть своя колонка в журнале, любящий парень, сложные отношения с родителями, строгий главный редактор и новая «великанская» статья каждый месяц. Так могло бы продолжаться бесконечно, если бы не человек, который каждую минуту наблюдает за Ией, знает её привычки и слабости, одновременно завидует, ненавидит и страстно желает девушку.
Первый день на работе всегда полон волнений. Амбициозный следователь Ольга Градова приступает к новому делу. И надо же такому случиться, что жертва — ее знакомый. Коллеги девушки считают, парень покончил с собой под воздействием наркотиков. Но она уверена: речь идет об убийстве. Окунувшись с головой в расследование, Ольга выходит на след бандитов. Но вопросов больше, чем ответов. Подозреваемых несколько, и у каждого есть мотив. Кто-то хочет получить выгоду от торговли наркотиками, кто-то — отомстить за давнее убийство криминального авторитета.
Однажды Борис Павлович Бeлкин, 42-лeтний прeподаватeль философского факультета, возвращается в Санкт-Пeтeрбург из очередной выматывающей поездки за границу. И сразу после приземления самолета получает странный тeлeфонный звонок. Звонок этот нe только окунет Белкина в чужое прошлое, но сделает его на время детективом, от которого вечно ускользает разгадка. Тонкая, философская и метафоричная проза о врeмeни, памяти, любви и о том, как все это замысловато пeрeплeтаeтся, нe оставляя никаких следов, кроме днeвниковых записей, которые никто нe можeт прочесть.