Dead Wrong - [9]
‘Yes, it is beautiful,’ Mr Wallace replied. ‘Do you garden?’
‘A bit,’ I said, overawed by the comparison.
‘Glenda, my wife, designed it. Place was full of hydrangeas and gladioli when we moved in. She died,’ he carried on, ‘six years ago now. We keep it just as she made it. We could sit outside if you…’
‘Yes.’
‘I’ll get the key.’ He strode over to his desk and came back with a bunch of keys. He unlocked the French windows. I gathered up my tray and book and we settled on seats on the patio immediately next to the house.
‘So,’ he resumed his story, ‘I asked to see the person in charge. They made me wait, of course. I told him they’d got the wrong person. I explained how close the boys were, that neither of them got into fights. That Luke would never hurt Ahktar. The man listened, he thanked me, he said nothing. As far as I can see, they’ve got a suspect and they want to make it fit.’
‘But without proof…’
‘Apparently they have two witnesses.’
Bad news. I underlined the word witnesses in my notes.
‘People who saw something that incriminates Luke. How could they?’ he demanded. ‘He didn’t do it; they’ve got him mixed up with someone else.’ His tone was hectoring. In any other situation it would have put me right off, but I made allowances for his desperation.
‘What did Luke say?’
He sighed. ‘Luke can’t remember anything.’ I could hear the despair in his voice. ‘He was pissed, he says he’d taken some tablets, he can’t remember anything. He doesn’t know what happened. Just a blank. He was devastated when they told him Ahktar was dead but he can’t remember a thing.’
My heart sank. With witnesses for the prosecution and a suspect who was out of his head on drugs, it wouldn’t be hard to secure a conviction. Obviously it would depend on what the witnesses actually saw and whether there was any other interpretation of that. But all Mr Wallace could offer in Luke’s defence was his trust, his faith that his son hadn’t, couldn’t, wouldn’t have killed his friend. And I’m sure most parents faced with that accusation would say the same.
‘Mr Wallace-’ My uncertainty must have come through because he interrupted me before I could say more.
‘Please,’ he said, gripping the edge of the seat. ‘Please.’ He implored me but there was strength, not weakness in his plea.
Objections leapfrogged over each other in my mind. A hopeless case, I’d be going over the same old ground, I can’t do anything your lawyer can’t do, the trail will be stone cold, it’s months ago, they’ve got a witness, he may be guilty, these tragedies happen. But I couldn’t turn him down. His conviction, his passion about his son’s innocence was too powerful.
‘All right,’ I said, ‘but these are my terms.’
Chapter Four
Driving back through the city centre was even slower than getting there. I felt exhausted by meeting Mr Wallace and the intensity of his emotional state. I had an image I couldn’t shift of the knife in Ahktar’s chest. I don’t like knives. I was stabbed once. Please don‘t, I’d begged. He raised his arm…the knife shining…No. I shook the memories away.
My shoulder was stiff and aching. I rolled it back round and round as I queued up to get onto Princess Street. We inched forward a couple of cars at a time when the lights changed, but the traffic ahead was hardly moving. There’d been a crash. I crawled past wanting to avert my eyes, needing to look. A woman in one of the cars had a neck brace on. She was being lifted out by two ambulance men. I sighed with relief; no blood, no dead bodies or worse, no decapitated driver or twitching limbs imprinted on my mind for the rest of my life.
If Ahktar had been stabbed outside the club as everyone was coming out, surely there would have been more than two witnesses? There’d have been blood, a skirmish; people would have glanced, looked, stared. There would have been the unmistakable atmosphere of violence, the scent of danger and death that we all recognise instinctively, that speeds up our heartbeat and raises the hairs on the back of our neck. I needed to find some of those witnesses. Six months after the event it wouldn’t be easy, and acting for the defence we could hardly get a slot on Crimewatch to pull people in. I’d start with the list Mr Wallace had given me, but from what he’d said none of the witnesses had come up with anything substantial the defence could use. Before I talked to anyone though, I’d book a visit to Golborne and meet Luke, assess for myself whether I thought he was wrongly accused. As an independent operator I had the freedom to choose who I worked for and what the terms were, and I’d said to Mr Wallace that I would only take the case if I felt comfortable working for Luke’s release.
Sheila rang. They were reopening Victoria Station so she hoped to travel home the following day. The news continued to be dominated by the bomb. Television and newspapers featured devastating pictures of the Arndale Centre and surrounding buildings; the gaping windows, twisted metal and fragments of concrete. It still made my stomach churn. Much was made of the bridge that linked Marks & Spencers with the Arndale Centre. It had literally jumped several feet in the air with the force of the blast, yet had fallen back into place in one piece – albeit unsafe. And a red pillar box close to the centre of the blast had inexplicably survived while everything about it was smashed to smithereens.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Сьюзан Кэрролайн считает, что смерть дочери, происшедшая несколько лет назад в результате несчастного случая – ужасная, но единственная трагедия, которая случилась в ее жизни. Однако внезапно все меняется, когда появляется Джо. Теперь для Сьюзан очевидно, что это был отнюдь не несчастный случай, и ее цель – найти убийцу дочери. Но безумие поглотило все вокруг, и ее саму тоже. Порой она не знает, не являются ли происходящие события плодом ее больного воображения. А может, она на самом деле умерла, проглотив в порыве отчаяния таблетки? Грань стерта и никто не знает, к чему это приведет… даже сама Сьюзан Кэрролайн.
«Имя Гансйорга Мартина — драматурга, романиста, эссеиста и художника — хорошо известно в Германии и других европейских странах. На русский язык его произведения переводятся впервые. Излюбленные жанры его — детектив и триллер. Расцвет творчества Мартина падает на 60–70-е годы. Мартин — автор многих так называемых «белых» детективов. Он избегает натурализма и физиологизма в описаниях, сюжет в его произведениях, всегда острый и занимательный, развивается легко и непринужденно. Конечно, как и во всяком детективе, движущей пружиной является преступление — убийство, и чаще всего не одно.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.