Dead To Me - [3]
Janet went back to her screen, checking through her emails, clearing her actions completed, getting up to speed on work in progress.
‘So – you been here long?’ Rachel Bailey asked.
Janet was reminded of playground interrogations – what’s your name, where d’you live? All front and nerves shredding underneath.
‘Thirteen years, twenty-five on the job.’
Rachel froze, looked at her. ‘Straight up?’
Why would I lie? ‘Yeah.’
‘Never gone for promotion?’ Rachel said.
‘Yeah.’ Shaking her head slightly, tragic or what? Janet wasn’t bothered. She knew she was good at her job. She’d done a shedload of courses and got all the accreditations to prove it. She’d not the slightest interest in climbing the greasy pole. For what? Ulcers and politics and even more pressure? Promotion was a route away from the coalface, from the hands-on, face-to-face, stink-in-your-nose reality of catching killers. Gill Murray never got to so much as interview a suspect or a witness any more. She went to the scene and the post-mortem and she coordinated each investigation, managing her team, thinking about loopholes and implications, complications. Assessing evidence as they delivered it to her: was it robust enough for the CPS? Would it stand up in Crown Court? At appeal, in Europe? None of that pushed any buttons for Janet. She wanted to be eyeball-to-eyeball with the people who had done it, the people who had seen what was done. Making them sing.
‘Not long till retirement,’ Rachel observed, pegging Janet for Mrs Average, time-server. The girl clicked her mouse, began to peer at her monitor. ‘Kids?’ Rachel asked.
‘Two,’ Janet said, a little echo of sadness inside. Happy for the newcomer to pigeonhole her: working mum, not fully committed either way, never gone for promotion, not had the drive, the vision, the brains. Mediocre. Just hanging on for her pension. Shoot me now.
The girl gave her a pitying look, then, losing interest, swivelled in her chair, scoping the room again. No one else in yet. Quarter to eight. The kid sighed, pulled her hair – glossy brown and waved (an effect that would take Janet’s eldest, Elise, all morning to achieve) – up into a ponytail, let it drop.
‘What about you?’ Janet kept it civil.
‘God no. Not the maternal type.’
She sounded almost like a teenager, that practised disdain, but she must be in her late twenties, Janet guessed. ‘Where were you before?’ Teeth not quite gritted.
‘Sex Crimes, with Sutton,’ Rachel said.
‘John Sutton?’
Rachel nodded, glanced at her watch. ‘I need a fag. Is there…’ She whirled a finger in the air, asking for directions.
Janet toyed with the idea of sending her the wrong way, but only because the girl had got her back up. She’d never be that petty. ‘Along the corridor, down the stairs, side door on the ground floor.’
Rachel snatched her bag and swung herself to her feet.
Janet watched her go. Took a breath, lowered her shoulders and returned to her inbox.
The office was open-plan, not a large space, desks crammed together in pairs, each with its computer terminal and phone. There was a bigger meeting room off it, which they used for briefings. Gill had a room to herself, roughly two and a half paces from Janet’s desk. She was generally visible through the glass partition, unless she closed her blinds. It was a bad sign when the blinds went down. The team would wait, people trying to work more quietly, waiting to see who was in for a bollocking.
Gill was in before the others and Rachel was still off having her nicotine fix so Janet went straight into Gill’s office.
The DCI had barely got her coat off when Janet jumped in: ‘Why me?’
Gill froze, tilted her head to one side. ‘It’s an interesting philosophical question, kid, but you’re going to have to give me a bit more…’
‘Rachel Bailey.’
‘She’s here?’ Gill beamed.
‘I don’t want her,’ Janet said.
‘Reason?’
‘I’ve already got one teenager at home, and her sister’s in a permanent state of revolution, I can do without it at work. Why put her with me? Put her with Mitch.’
‘What’s she done to you?’ Gill was shifting through paperwork on her desk now, easing into her chair. ‘She’s only been here five minutes.’
‘Five minutes too long. Who sent her?’
‘I picked her.’
‘You picked her,’ Janet said, appalled. ‘Can’t you unpick her?’
‘She’s a bit rough around the edges,’ Gill allowed.
‘Dog rough,’ said Janet. A pit bull bitch, she thought but that seemed too harsh. Rude. ‘Give her to Pete or Lee, or any of them.’
Gill took her glasses from her case, set them down and stared at Janet for a moment, then slapped her palms on her desk. ‘She stays with you. That’s how I want it.’
‘Gill,’ Janet groaned.
‘End of.’ Gill held up her hands, brooking no further discussion.
‘Six weeks,’ Janet tried. ‘If I still feel the same…’
‘We’ll see.’
‘We’ll see!’ Janet mocked, laughing. ‘We’ll see? That’s what I say to the girls: “We’ll see.” It usually means, No, but I haven’t got the energy to argue with you now.’
‘You’ll be good for her.’ Gill slid her glasses on and began to open files on her computer.
‘Sounds like a parasitic relationship,’ Janet said.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Blue Murder: Make BelieveThe third Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.For nine days the people of Manchester have been looking for missing three-year-old Sammy Wray then DCI Janine Lewis is called to a residential street where a child's body has been found. It's a harrowing investigation and Janine's personal problems make leading the inquiry even tougher. Is this the case that will break her?Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.'The Sunday Times'Uncluttered and finely detailed prose.'Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.'Sherlock Magazine'A swift, satisfying read.'City Life'Precise and detailed delineation of contemporary family relationships.'Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.'Manchester Metro'Pace and plenty of human interest.'Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Your husband, your family, your freedom. What would you sacrifice for love? A love story, a modern nightmare and an honest and incisive portrayal of a woman who honours her husband's wish to die and finds herself in the dock for murder.When Deborah reluctantly helps her beloved husband Neil end his life and conceals the truth, she is charged with murder. As the trial unfolds and her daughter Sophie testifies against her, Deborah, still reeling with grief, fights to defend her actions. Twelve jurors hold her fate in their hands, if found guilty she will serve a life sentence.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
She's a single parent. A private eye. And liking it. Until, that is, Mrs Hobbs turns up asking Sal Kilkenny to find her missing son. Sal's search takes her through the Manchester underworld, a world of deprivation and petty theft, of well-heeled organised crime and ultimately, murder. Would she have taken the job on if she had known what she was getting into? Probably, because Sal is fired with the desire to see justice done, to avenge the death of a young lad whose only crime was knowing too much.The first Sal Kilkenny Mystery, short-listed for the Crime Writers' Association best first novel award and serialised on BBC Radio 4, Woman's Hour.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
Чемодан с миллионом долларов, кучка головорезов, желающих его вернуть, и это в городишке, отрезанном от мира. Что может быть хуже? Ах, да….кровососущий монстр.От Автора:Данный рассказ является частью трилогии «Последний рубеж» и повествовал о молодости Кейн и его знакомству с Изабелл. Сюжет рассказа блуждал у меня в голове больше года, и дошел до кондиции, когда нужно перенести его на бумагу. Сама «трилогия Рубежа» будет представлена публике — когда меня устроит результат. Но, если сей рассказ будет достаточно популярен, и у читателей будет желание увидеть продолжение, то я вполне могу написать ещё одну-две истории повествующие о похождениях молодого Кейна, тем самым сформировав из них полноценный роман.Так что не стесняйтесь оставлять комментарии, тыкать носом в нелогичности.
Поздним вечером посыльный курьерской почты юный Джейс Деймон торопится доставить пакет от клиента, которого позже находят мертвым. Да и сам Джейс оказывается втянутым в криминальные сети шантажа и убийств.Под угрозой жизнь самого Джейса и его младшего брата.Конечно, можно бежать, но удастся ли скрыться?Это и предстоит узнать Джейсу Деймону.
Астра Фадеева – самостоятельная женщина, ведет собственный бизнес, в одиночку воспитывает сына, а еще помогает сестрам и бывшему мужу, хоть и не стоит он того. Но как же ей хочется быть слабой, беззащитной, опереться на сильное мужское плечо! Да только вот незадача – все ее романы обязательно заканчивались крупными неприятностями, причем не столько для самой Астры, сколько для окружающих. В общем, роковая женщина!Вот и на этот раз романтическая поездка к морю в солнечную Болгарию обещала жаркие объятия и страстные поцелуи, а обернулась очередной катастрофой.
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.
В сборник «Последний идол» вошли произведения Александра Звягинцева разных лет и разных жанров. Они объединены общей темой исторической памяти и личной ответственности человека в схватке со злом, которое порой предстает в самых неожиданных обличиях. Публикуются рассказы из циклов о делах следователей Багринцева и Северина, прокуроров Ольгина и Шип — уже известных читателям по сборнику Звягинцева «Кто-то из вас должен умереть!» (2012). Впервые увидит свет пьеса «Последний идол», а также цикл очерков писателя о событиях вокруг значительных фигур общественной и политической жизни России XIX–XX веков — от Петра Столыпина до Солженицына, от Александра Керенского до Льва Шейнина.