Женщины Девятой улицы. Том 3 - [92]
Hess, Thomas B. Abstract Painting: Background and American Phase. New York: The Viking Press, 1951.
Hess, Thomas B. “The Battle of Paris, Strip-tease and Trotsky.” It Is 5 (Spring 1960).
Hess, Thomas B. “De Kooning Paints a Picture.” ArtNews 52, no. 1 (March 1953).
Hess, Thomas B. “Franz Kline, 1910–1962.” ArtNews 61, no. 4 (Summer 1962).
Hess, Thomas B. “Great Expectations, Part 1,” ArtNews 55, no. 4 (June – August 1956).
Hess, Thomas B. “Inside Nature,” ArtNews 56, no. 10 (February 1958).
Hess, Thomas B. “Introduction to Abstract.” ArtNews Annual 20 (1951).
Hess, Thomas B. “Mixed Pickings from Ten Fat Years.” ArtNews 54, no. 4 (Summer 1955).
Hess, Thomas B. “Mutt Furioso.” ArtNews 55, no. 8 (December 1956).
Hess, Thomas B. “Seeing the Young New Yorkers.” ArtNews 49, no. 3 (May 1950).
Hess, Thomas B. “A Tale of Two Cities.” Location 1, no. 2 (Summer 1964).
Hess, Thomas B. “There’s an ‘I’ in ‘Likeness.’ ” New York (November 24, 1975).
Hess, Thomas B. “Trying Abstraction on Pittsburgh: The 1955 Carnegie.” ArtNews 54, no. 7 (November 1955).
Hess, Thomas B. “U.S. Painting, Some Recent Directions.” ArtNews 25th Annual Christmas Edition (1956).
Hess, Thomas B. “Where U.S. Extremes Meet.” ArtNews 51, no. 2 (April 1952).
Hess, Thomas B. Willem de Kooning. New York: George Braziller, Inc., 1959.
Hess, Thomas B. Willem de Kooning. New York: The Museum of Modern Art, 1968.
Hess, Thomas B. “Younger Artists and the Unforgivable Crime.” ArtNews 56, no. 2 (April 1957).
Hess, Thomas B., and Elizabeth C. Baker, eds. Art and Sexual Politics: Why Have There Been No Great Women Artists? New York: ArtNews Series, Collier Books, 1973.
Hess, Thomas B., and Linda Nochlin, eds. Woman as Sex Object: Studies in Erotic Art, 1730–1970. ArtNews Annual 38 (1972).
Hirschman, Jack, ed. Artaud Anthology. San Francisco: City Lights Books, 1965.
Hoban, Phoebe. “Psycho Drama: The Chilling Story of How the Sullivanian Cult Turned a Utopian Dream into a Nightmare.” New York (June 19, 1989).
Hobbs, Jack A. Art in Context. 3rd ed. New York: Harcourt Brace Jovanovich, 1985.
Hobbs, Robert. Lee Krasner. New York: Abbeville Press Publishers, 1993.
Hobbs, Robert. Lee Krasner. New York: Independent Curators International, with Harry N. Abrams, Inc., 1999.
Hodgins, Eric, and Parker Lesley. “The Great International Art Market.” Fortune (December 1955).
Hofmann, Hans, Sara T. Weeks, and Bartlett H. Hayes Jr., eds. Search for the Real. Cambridge, MA: The MIT Press, 1967.
Hofstadter, Richard. The American Political Tradition and the Men Who Made It. New York: Vintage Books, 1989.
Holmes, John Clellon. “‘This Is the Beat Generation.’” New York Times, November 16, 1952.
Honey, Maureen. “The Images of Women in the ‘Saturday Evening Post,’ 1931–1936,” Journal of Popular Culture 10, no. 2 (Fall 1976).
Horne, George P. “Battle for Tarawa the Hardest in Marine History says Carlson.” New York Times, November 27, 1943.
Howard, Richard. Paper Trail: Selected Prose, 1963–2003. New York: Farrar, Straus and Giroux, 2004.
Hughes, Robert. The Shock of the New: Art and the Century of Change. London: Thames and Hudson, 1993.
“Human Image in Abstraction.” Time 72 (August 11, 1958).
Hunter, Sam. “Jackson Pollock.” Museum of Modern Art Bulletin 24, no. 2 (1956–57).
“Interview with Lee Krasner.” Evening Standard, September 22, 1965.
“Irascible Group of Advanced Artists Led Fight against Show.” Life 30, no. 3 (January 15, 1951).
Iseman, Ellen M. “Helen Frankenthaler.” The Century Yearbook 2012. New York: The Century Association.
Iseman, Ellen M. “Travels with my Aunt, Helen Frankenthaler, 1928–2011.” Connections (Spring 2012).
“Is There a New Academy?” ArtNews 58, no. 4 (June – August 1959).
Jachec, Nancy. The Philosophy and Politics of Abstract Expressionism, 1940–1960. Cambridge: Cambridge University Press, 2000.
Jackman, Jarrell C., and Carla M. Borden, eds. The Muses Flee Hitler: Cultural Transfer and Adaptation, 1930–1945. Washington, DC: Smithsonian Institution Press, 1983.
“Jackson Pollock: An Artists’ Symposium, Part I.” ArtNews 66, no. 2 (April 1967).
Jackson Pollock: Black and White. New York: Marlborough-Gerson Gallery Inc., March 1969.
Jacobs, Norman, ed. Culture for the Millions? Mass Media in Modern Society. Princeton, NJ: D. Van Nostrand Company, Inc., 1961.
Jane Freilicher: Painter Among the Poets. New York: Tibor de Nagy Gallery, 2013.
Janis, Sidney. Abstract and Surrealist Art in America. New York: Reynal & Hitchcock, 1944.
Jewell, Edward Alden. “‘The Problem of Seeing’; Vitally Important Matter of Approach – American Artist and His Public.” New York Times, August 10, 1941.
Joan Mitchell Paintings, 1950–1955. New York: Robert Miller Gallery, May 5 to June 5, 1998.
Johnson, Ellen H. American Artists on Art, from 1940 to 1980. New York: Icon Editions, Harper & Row, Publishers, 1982.
Johnson, Paul. A History of the Jews. New York: Harper & Row, Publishers, 1987.
Johnson, Steven, ed. The New York Schools of Music and the Visual Arts. New York: Routledge, 2002.
Jones, Caroline A. Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses.
