The Kindest Thing - [7]
Chapter Three
The weeks of our Greek idyll passed in a daze of cheap local wine, fresh food, hot sun and sex. We were both constantly aroused. I was on the pill so we had no need of condoms. Those happy days before AIDS came stalking.
We travelled to Crete and went to Knossos, King Minos’s palace; Neil told me all about the legend of the Minotaur. The site was vast, impressive, but what captivated me was the frieze of the dolphins, the vibrant colour, the energy in it, and the mosaic floors made of thousands of tiny tesserae, I loved the sophistication and elegance of the images, the harmony of composition.
We sailed to Rhodes, entering the harbour where the Colossus once stood. On the island of Kos we got the bus up to the Asclepeion, the first hospital in the world, built on wooded terraces. The place had an atmosphere of peace and tranquillity that not even the clusters of tourists could disrupt. Down in Kos town we sat beneath the plane tree where Hippocrates was said to have taught his principles of healing. Neil filled my head with stories of Greek gods and monsters and heroes. I came to share his fascination with the myths and legends.
Between our excursions to ancient sites we would walk up into the hills where the air was thick with the scent of pine resin and sizzled with the chirrups of crickets and the hum of bees. He would put his hand round the nape of my neck, a gesture that had surprised me at first but by then had become familiar, comforting. He would catch my neck and pull me close for a kiss or hold me like that as we strolled along. I was a head shorter than him.
‘Deborah.’ He’d stop me, circle my waist with his arm and steer me to a tree, the place dappled with shade and insects flittering in the golden pools of light. To the sound of cowbells in the distance, he would make love to me. His passion for me, his appetite, fed mine and the lust showed no signs of abating. On the beach, reading, swimming, roasting in the heat that softened my muscles and darkened my skin, my thoughts turned repeatedly to sex. Remembering what we had just done and what we might do next. Soon I would turn to him and whisper filthy words and sweet entreaties, teasing him until one or other of us caved in, stood, hand shading our eyes, and said, ‘Let’s go back for a bit.’
Neil had been dead for sixteen days and we still hadn’t been able to make the funeral arrangements because the coroner’s office hadn’t released the body. The whole country baked in a heatwave. I barely slept, barely ate, close to nausea much of the time. But the warm nights meant I could roam about the house or my workshop and wait for sunrise. I’m an interior designer; my workshop is a converted double garage at the side of the garden. Most of the work I did myself: insulating the roof, dry-lining the walls and laying the floor, though I got contractors in to sort out the plumbing and electricity. I’ve a free-standing stove at one end that heats the place perfectly in winter.
The part nearest to the drive is an office and meeting area. Clients occasionally come to the workshop to check me out or go over some ideas. The rest of the space is for practical work, drawing table and plans chest, a messy area where I can experiment with paint and other materials: cork, plastics, ceramics. There are shelves lined with reference books and folders stuffed full of research. Some of the books I’ve had since university; others I acquired for particular projects, like the huge volume of nursery rhymes that I return to again and again when I’m considering children’s rooms, or the Gardens of Egypt tome I’d bought when working for a couple who’d met at the Pyramids and wanted an outdoor room with the flavour of the Nile.
The length of the workshop that looks out on to the garden is all sliding glass doors, which gives me the natural light I need. There are plain hessian curtains for days when I want to shut out the sun’s glare. I set it up the year I launched the business. I’d spent fourteen years working for a big design agency, mainly on corporate contracts: hotel chains and supermarkets. It involved more work away from home than I liked and less variety. I didn’t get much holiday, and although Neil’s teaching job meant he was available to look after the children in the school holidays, I wanted more flexibility.
It was a risk going self-employed but I knew if I crashed and burned we’d still have Neil’s salary. We wouldn’t starve. Accepting that productivity would come ahead of creativity until I’d established a reputation, I said yes to all comers. As it was, I struck lucky. One of the clients I’d worked with at the agency had heard I was going solo and recommended me to his boss, who had just won the contract for a new community hospital on the outskirts of Manchester. It involved me designing everything from the colour-coded seats in reception areas to the napkins for the meals service and the pictures on the walls. Eighteen months’ work. After that I could pick and choose, and I built a portfolio of very different projects: hair salon, fusion restaurant, sixth-form college, as well as domestic jobs, refurbishments, loft conversions and the like.
1960, Manchester. Three young Catholic women find themselves pregnant and unmarried. In these pre-Pill days, there is only one acceptable course of action: adoption. So Megan, Caroline and Joan meet up in St Ann's Home for Unmarried Mothers to await the births of their babies. Three little girls are born, and placed with their adoptive families. Trio follows the lives of these mothers and daughters over the ensuing years.
"A painfully honest exploration of an ordinary family under stress… A stunning piece of work." – Ann CleevesFour bystanders in the wrong place at the wrong time. Witnesses to the shocking shooting of a teenage boy. A moment that changes their lives forever. Fiona, a midwife, is plagued by panic attacks and unable to work. Has she the strength to testify? Mike, a delivery driver and family man, faces an impossible decision when his frightened wife forces him to choose – us or the court case. Cheryl, a single-mother, doesn't want her child to grow up in the same climate of fear.
Single mother and private eye, Sal Kilkenny, has two very frightened clients on her hands. One, young mother Debbie Gosforth, is a victim; the other, Luke Wallace, is afraid he is a murderer. While Sal tries to protect Debbie from a stalker, she has to investigate the murder of Luke's best friend.
When private eye Sal Kilkenny is asked to discover the whereabouts of Jennifer Pickering, disinherited by her family twenty years ago, it seems that Jennifer does not want to be found. Despite her initial reservations, as the events of the past gradually unfold, single-mum Sal finds that she is becoming engrossed in the case. There are dark secrets waiting to be uncovered but can Sal break the conspiracy of silence that surrounds this mystery? As she spends her days tracing Jennifer, Sal's nights become shattered by an emotional and often dangerous assignment with the Neighbour Nuisance Unit on one of Manchester's toughest housing estates.
From the author of LOOKING FOR TROUBLE, a further crime novel featuring private investigator Sal Kilkenny. When a man is distraught at his wife's apparent infidelity, he enlists the help of Sal to confirm his suspicions, only to find himself a widower soon afterwards. From there Sal's other case also begins to take a disturbing and violent turn.
The fourth Blue Murder novel written by the creator of the hit ITV police drama starring Caroline Quentin as DCI Janine Lewis.A well-respected family GP is found shot dead outside his surgery; who could possibly want to kill him? As DCI Janine Lewis and her team investigate they uncover stories of loyalty, love, deception, betrayal and revenge.Praise for the Blue Murder books'Complex and satisfying in its handling of Lewis's agonised attempts to be both a good cop and a good mother.' The Sunday Times'Uncluttered and finely detailed prose.' Birmingham Post'Beautifully realised little snapshots of the different characters' lives… Compelling stuff.' Sherlock Magazine'A swift, satisfying read.' City Life'Precise and detailed delineation of contemporary family relationships.' Tangled Web'Lewis seems set to become another very popular string to Staincliffe's bow as one of the leading English murder writers.' Manchester Metro'Pace and plenty of human interest.' Publishing News'Blending the warmth of family life with the demands of a police investigation.'Manchester Evening News'Juggling work and family is a challenge of modern life and encountering realistically portrayed women with family responsibilities is a pleasure.
Сьюзан Кэрролайн считает, что смерть дочери, происшедшая несколько лет назад в результате несчастного случая – ужасная, но единственная трагедия, которая случилась в ее жизни. Однако внезапно все меняется, когда появляется Джо. Теперь для Сьюзан очевидно, что это был отнюдь не несчастный случай, и ее цель – найти убийцу дочери. Но безумие поглотило все вокруг, и ее саму тоже. Порой она не знает, не являются ли происходящие события плодом ее больного воображения. А может, она на самом деле умерла, проглотив в порыве отчаяния таблетки? Грань стерта и никто не знает, к чему это приведет… даже сама Сьюзан Кэрролайн.
«Имя Гансйорга Мартина — драматурга, романиста, эссеиста и художника — хорошо известно в Германии и других европейских странах. На русский язык его произведения переводятся впервые. Излюбленные жанры его — детектив и триллер. Расцвет творчества Мартина падает на 60–70-е годы. Мартин — автор многих так называемых «белых» детективов. Он избегает натурализма и физиологизма в описаниях, сюжет в его произведениях, всегда острый и занимательный, развивается легко и непринужденно. Конечно, как и во всяком детективе, движущей пружиной является преступление — убийство, и чаще всего не одно.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.