Stay Dead - [25]

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‘I said don’t touch.’

Annie was looking around her. Over to the right were the private dancing rooms behind gold beaded curtains. And to the left? The stairs up to Dolly’s flat. Her eyes went there, and stayed.

‘You’re sure you want to do this?’ said Hunter, watching her face.

Her eyes met his. ‘There’s nothing there, right? She’s gone.’

Hunter nodded and turned to lead the way. He unclipped the rope at the bottom of the stairs and started up. Annie followed, not wanting to. All right, she wasn’t going to see Dolly there, but this was where she’d died. If spirits did linger, then surely Dolly was up in the flat now, waiting for them, waiting for her. Waiting for someone to find her killer, take revenge, let her rest.

Hunter stopped at the top of the stairs and pushed open the flat door, which was covered in grey dust where the technicians had collected fingerprints. He stepped inside. This room was brighter than downstairs, with an outside window; but the light filtering in through the closed curtains was drab. Hunter flicked on the overhead light and everything came to life. Pink everywhere, Dolly’s favourite colour. Cushions and doilies and stuff, this was very much a woman’s room. And…

‘Fuck,’ said Annie faintly, her eyes fixed on the rug in front of the gas fire. The off-white sheepskin was soiled with a dinner-plate-sized splodge of blood. Dolly’s blood. There were streaks of blood on the wallpaper beside the hearth, on the mirror over it, and on the fireplace itself. There were little numbered pointers that had been placed here and there by the crime scene boys.

‘You all right?’ he asked.

‘Fine. I’m fine,’ said Annie, drawing in a shuddering breath. Now, at last, she could believe it. Dolly really was dead. Here was where it had happened, where some creep had snatched her life away. Grief and anger warred inside Annie. Anger won, just. It took an effort of will to hold her voice steady, not to shout or cry. ‘You got any idea who did this? Why they did it?’

‘Well, it wasn’t robbery,’ said Hunter. ‘The safe in the office hasn’t been opened, and all Thursday’s takings were still in there, untouched. The keys were in her handbag. So was her cash, and credit cards. Nothing taken out of the bag at all, so far as we can see.’

Annie nodded. It would feel better if money had been the motivation. The fact that it wasn’t made it more personal. Or maybe this was just some random nutter at work. Then she had a horrible thought.

‘She wasn’t…?’ she started, and then found she couldn’t say it.

But Hunter understood. ‘No evidence of sexual assault. It was quick, Mrs Carter. Almost instantaneous. We’ve fingerprinted all the staff and Ellie and Chris Brown, and if you would come down to the station later we’ll take yours too.’

‘I haven’t been here recently,’ Annie pointed out. ‘And my dabs are on your files, anyway.’

Hunter gave her a long look. He knew her history; she’d been busted for running that disorderly house in Mayfair. ‘I’d like to take them again, even so.’

‘You’re looking at the nearest and dearest, right?’ said Annie. ‘Close friends, close family. You look to them first to find killers.’

‘Sadly, we do.’

Annie stared at him steadily. ‘You’ve already checked whether I’ve been back here in the past few months. Checked with the airlines?’

‘Yes. I have. And you have, haven’t you? Brief stops in London, then on to the States or up to Scotland. What were you doing up there, Mrs Carter?’

Annie shrugged. ‘Just playing tourist. I like it up there,’ she said, hoping he’d drop it, hoping he hadn’t delved too deeply into any of it.

He was moving around the room, looking at the rug, the door. He bent down and stared closely at the blood on the hearth. Then he looked up at her. ‘You’re sure you know nothing about her relatives?’

‘Nothing at all,’ said Annie, stifling a wave of guilty irritation. Of course he’d had to check. What else did she expect? And she’d fronted it out, anyway. It was OK.

‘Any lovers at all? However far back in the past? Anyone?’

Annie shook her head. ‘You know her background, don’t you?’

‘Refresh my memory,’ he said, standing up.

‘I first knew Dolly when she worked at Aunt Celia’s. They called it a massage parlour, but that’s just a fancy name for it. It was a whorehouse near the docks in Limehouse. In those days, Dolly was aggressive, rough around the edges. Then time moved on and she softened a bit…’

Annie was thinking back to those times, thinking of the friends she’d made in that most unlikely of places, thinking of Darren, and Aretha, Ellie and Dolly. Back then, she and Dolly had been at each other’s throats. They had been enemies first, friends later.

‘You’re smiling,’ said Hunter, watching her face curiously. ‘What is it?’

‘Nothing. Just thinking that those were good times.’ Now the smile was gone and she just looked sad.

‘In a Limehouse knocking shop.’ His tone was cynical.

‘Believe it or not, they were. The best.’

‘Paying protection to the Delaney mob, I believe.’ Hunter eyed her sharply. ‘What about them? Is there any connection now?’


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Главная героиня книги молодая и амбициозная Жанна, концертный директор новой попсовой московской группы «Мэри». Дебютные выступления этой группы запланированы в одном из самых лучших концертных залов столицы, а по городу уже развешаны яркие баннеры: «Мэри» — скоро все офигеют!» И незадолго до концерта одну из участниц коллектива находят мертвой на крыше многоэтажки со всеми соответствующими ритуальному убийству атрибутами: дьявольской пентаграммой и странной запиской, текстом из Откровения Иоанна Богослова: «И я видел, что Агнец снял первую из семи печатей, и я услышал одно из четырех животных, говорящее как бы громовым голосом: иди и смотри…». За первым убийством следует второе, третье, четвертое… И ни у кого уже не остается сомнений, что в столице орудует новый серийный маньяк убийца, последователь одного из древних, поклоняющихся дьявольским силам, культов. И Жанна еще не знает, что во всей этой жуткой истории ей уготована совершенно особенная роль.


Год Ворона

В 1987 году в результате перестроечного бардака на одном из стратегических аэродромов на территории Украины закопана неучтенная атомная бомба, которую считают потерянной. Наше время. Бывший штурман стратегической авиации по пьянке проговаривается про "неучтенку" не тому собеседнику. Информация немедленно распространяется в мире плаща и кинжала, бомбу для своих целей хотят использовать спецслужбы, политики и террористы... На пути у врагов становятся отставной украинский офицер и молодой агент ЦРУ, считающий себя героем романов Тома Клэнси.


Долгое падение

История одного из самых жутких – и самых странных – серийных убийц XX века. Еще до ареста пресса прозвала его «Зверем из Биркеншоу». Питер Мануэль был обвинен в убийстве по крайней мере семи человек (вероятно, их было гораздо больше). Он стал одним из трех последних преступников в Шотландии, казненных через повешение.…Уильям Уотт, обвиняемый в убийстве всей своей семьи, стремится оправдаться – а заодно выяснить, кто же на самом деле сделал это. Только одному человеку известна правда. Его зовут Питер Мануэль, и он заявил, что знает, где находится пистолет, из которого расстреляли жену, дочь и свояченицу Уотта.


Вальпараисо

Чтобы поправить свои финансовые дела, моряк-любитель решает ограбить магазин мужа своей любовницы («Вальпараисо»). Героям известного автора детективов предстоят жестокие испытания, прежде чем справедливость восторжествует.


Серебряный мул

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Опасные красавицы. На что способны блондинки

Комиссар полиции Ван дер Вальк — человек обстоятельный. Если он берется за дело, от него не ускользнет ни одна, даже самая маленькая, деталь. Благодаря этому качеству он блестяще раскрывает убийство в супермаркете («Опасные красавицы») и выясняет правду о странных событиях в ювелирном магазине («На что способны блондинки»).