Spider in the Corner of the Room - [6]
‘Of course I am real. See?’ I point to myself. ‘I am standing right here.’
Sitting guard shakes her head. ‘For fuck’s sake.’ She exhales. ‘Strip.’ Then she sips her drink again.
My chest tightens and my palms pool with sweat. ‘I cannot strip,’ I say after a moment, my voice quiet, the sound of it teetering on the edge of sanity. ‘It is not bedtime, not shower time or time for sex.’
Sitting guard spurts out a mouthful of tea. ‘Fuck.’ Taking a tissue from her pocket, she wipes her face. ‘Jesus. Look,’ she says, scrunching up the tissue, ‘I am going to tell you one more time, Martinez. You need to take your clothes off now so we can search you.’ She pauses. ‘After that, I will have no choice but to carry out the strip myself. Then you’ll be placed in the segregation unit as a penalty.’
She folds her arms and waits.
I wipe my cheek. ‘But…but it is not time to strip.’ I swivel to the other guard, begging. ‘Please, tell her. It is not time.’
But the guard simply rolls her eyes, presses a blue button by an intercom and waits. No one speaks, no one moves. A few more tears break out, trespassing across my face, down past my chin, stinging my skin, alien to me, unknown. I do not cry, not often. Not me, not with my brain wired as it is; I am strong, hardened, weathered. So why now, why here? Is it this place, this prison? One hour in and already it is changing me. I touch my scalp, feel my hair, fingertips absorbing the heat from my head. I am real, I exist, but I do not feel it. Do not feel anything of myself.
Shouts from somewhere drift in then out, their sound vibrating like a buzzer in my ears. I try to stay steady, to think of home, of my father, his open arms. The way he would pick me up if I was hurt. I inhale, try to recollect his scent: cigars, cologne, fountain pen ink. His chest, his wide chest where I would lay my head as his arms encircled me, the heat of his torso keeping me safe, safe from everything out there, from the world, from the merry-go-round of confusion, of social games, interactions, dos and don’ts. And then he was gone. My papa, my haven, he was gone-
Bang. The door slams open. We all look up. A third guard enters and nods to the other two. The three of them walk to my side.
‘No!’ I scream, shocked at my voice: wild and erratic.
They stop. My chest heaves, my mouth gulps in air. Sitting guard’s eyes are narrowed and she is tapping her foot.
She turns to her colleague. ‘We’re going to have to hold this one down.’
Time has passed, but I cannot be sure how much.
The room is dark, a single light flashing. I look down: I am sitting on a plastic chair. I gulp in air, touch my chest. The material, my clothes: they are different. Someone has put me in a grey polyester jumpsuit. I look around me, frantic. Where are my clothes? My blouse? My Armani trousers? I draw in a sharp breath and suddenly remember. The strip search. My stomach flips, churns, the vomit flying up so fast that I have to slap my palm to my mouth to keep it in. Their hands. Their hands were all over me. Cold, rubbery, damp. They touched me, the guards, probed me, invaded me. I said they could not do it, that it was not allowed, to cut my clothes off like that, but they did it anyway. Like I didn’t have a voice, like I didn’t matter. They told me to squat, naked, to cough. They crouched under me and watched for anything to come out…They…
A screech rips from my mouth. I stand, stumble back against the wall, the bricks damp and wet beneath my fingertips. This must be the segregation cell. They put me in segregation. But they can’t do this! Not to me. Do they not know? Do they not understand? I turn to the wall, smacking my forehead on it, once, twice, the impact of the pain jolting me into reality, calming me. Slowly, I start to steady myself when I feel something, something etched into the masonry. Turning, I peer down, squint in the blinking lights, feel with my fingers. There, scratched deep into the brickwork, is a cross.
A shout roars from outside. I jump. There is another shout followed by banging, ripping from the right, loud, like a constant thudding. Maybe someone is coming. I run to the door and try to see something, anything. The banging reaches a crescendo then dies.
I press my lips to the slit. ‘Hello?’ I wait. Nothing. ‘Hello?’
‘Go away!’ a voice screams. ‘Go away! Go away!’
The yelling smashes against my head like a hammer- slam, slam, slam. I want it to stop but it won’t, it simply carries on and on until I can’t take it any more. My hands rake through my hair, pull at it, claw it. I cannot do this, cannot be here. I need my routine. I want to go home, see my bare feet running through the grass along the hills back to my villa, the sun fat and low. I want to sprint the last leg to the courtyard where the paella stove is fired. Garlic, saffron, clams and mussels, the hot flesh melting in my mouth, bubbling, evaporating. That is what I want. Not this. Not here. Think. What would Papa tell me to do?
Numbers. That is it. Think of numbers. I shut my eyes, attempt to let digits, calculations, dates, mathematical theories-anything-run through my head. After a moment, it begins to work. My breathing slows, muscles soften, my brain resting a little, enough for something to walk into my head: an algorithm. I hesitate at first, keep my eyes shut. It seems familiar, the formula, yet strange all at once. I scan the algorithm, track it, try to understand why I should even think of it, but nothing. No clue. No sign. Which means it’s happened again. Unknown data. Data has come to me, data I do not recall ever learning, yet still it appears, like a familiar face in the window, a footprint in the snow. I have always written the calculations down when they emerge, these numbers, these codes and unusual patterns, have always recorded them obsessively, compulsively. But now what? I have no notepad, have no pen, and without inscribing them, without seeing the data in black and white, will it exist? Will it be real?
Алина совсем ничего не знала про своего деда. Одинокий, жил в деревне, в крепком двухэтажном доме. На похоронах кто-то нехорошо высказался о нем, но люди даже не возмутились. После похорон Алина решила ненадолго остаться здесь, тем более что сын Максимка быстро подружился с соседским мальчишкой. Черт, лучше бы она сразу уехала из этой проклятой деревни! В ту ночь, в сырых сумерках, сын нашел дедов альбом с рисунками. Алина потом рассмотрела его, и сердце ее заледенело от ужаса. Зачем дед рисовал этот ужас?!! У нее еще было время, чтобы разглядеть нависшую угрозу и понять: обнаружив ночью альбом с рисунками, она перешагнула черту, за которой начинается территория, полная мерзких откровений.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
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