Killer Ambition - [29]
No sooner had Officer Bander lifted the crime scene tape to let Scott in than Dorian pulled up in a brand-new forest green Tacoma. Still a pickup, but a lot snazzier than the faded old jalopy she used to drive. There was something comforting about seeing Scott and Dorian. It was like having family show up.
“Hey, Scott.” I waved and stepped closer as he set his bag down next to the trunk and took out a camera.
“Rachel!” He waved back before he turned and started taking photos.
Dorian moved next to the car with her kit, a large toolbox with tray insets that allowed her to store every little thing in its own compartment, perfectly organized, not a single cotton swab out of place. Dorian put the D in OCD. We both watched as Scott finished taking the pictures. Dorian wouldn’t be able to touch the trunk until he was done. The coroner, or his investigator, has sole jurisdiction over the body. Until he’s through, everyone else waits.
I greeted Dorian with a simple “Hey,” which was more than she was in the mood for. Never much of a talker, she was even less inclined to shoot the breeze after having been awakened before five a.m.
“Nice wheels,” Bailey said.
“It’ll do.”
Scott had finished photographing Hayley and had gloved up, preparing to deal with the body. He pulled out the long steel needle to take the liver temperature-one method of determining how long the victim had been dead. I turned away. A few moments later, Scott’s assistant rolled the gurney up to the car and Scott carefully examined Hayley with his flashlight, looking for evidence that might be disturbed when he moved the body.
“Dorian!” he called out. “Take a look here.”
Dorian, who’d already gloved up and put on her shower cap, moved forward with her kit and peered in. She bent down, pulled out some tweezers, and carefully plucked something too small for us to see from the body. Dorian placed it in a small coin envelope and set it into one of the little compartments in the toolbox. Scott finished his examination and told Dorian she could start on the rest of the car. He and his assistant then lifted Hayley out of the trunk and into the body bag that was on the gurney.
Her beautiful blonde hair was tangled and matted with blood and her pale pink sleeveless T-shirt was soaked in it. Her eyes were half closed, and I imagined her bleeding out, dying slowly in that trunk, alone. The lump re-formed in my throat and I quickly turned to focus on Dorian, who’d begun examining the driver’s side of the car with a flashlight and a magnifying glass.
“Hey, Dorian,” I called out. “It’s a long shot, but can you let us know if you find a laptop?”
“No. I figured I’d just put it on eBay.” She shook her head in disgust and muttered something about “inane questions.”
Bailey almost cracked a smile. I heard the zip of the body bag and the wheels roll across the asphalt to the wagon. Only after I heard them slam the rear door did I risk speaking to Scott. “Can you tell cause of death?”
“Stab wounds. But no murder weapon in the trunk that I could see.”
And I doubted very much that Dorian would find it in the cabin of the car either. One of the many reasons why I prefer gunshot wounds for a cause of death. Between the casings and the bullets, you have something to work with. Knives can never be matched the way a gun can. And criminals don’t get attached to knives the way they do to guns, so they don’t mind dumping them.
Bailey gathered all the officers together and asked them to canvass the grounds for a knife. They all nodded solemnly.
When they’d left, I heard Dorian mutter, “Yeah, good luck with that.”
We were going to need it with a lot of things now.
16
Exhausted and depressed, Bailey and I headed back to the car.
She drove off the lot and pulled onto Sepulveda Boulevard. When she got to a stoplight, she turned to look at me. “You okay, Rachel?”
“Yeah. I’m just…” My voice broke and I felt tears spring to my eyes again. I turned to look out my window.
Bailey was silent for a moment. The light changed and she pulled forward. When she spoke, her tone was gentle. “All the homicides you’ve been to, Rache. I’ve never seen you this broken up.”
“I guess I was really thinking she’d be okay…” I stopped before my voice could break again.
“But it’s a kidnapping. Sure, we were both hoping it’d be different, but kidnappings end this way pretty often. That’s why we run so hard and fast on them. You know that as well as I do. But for some reason, this one knocked you down hard. What’s going on?”
The question was more than fair. What was going on with me? I’d been so wedded to the theory-no, expectation-that Hayley would be okay that I hadn’t even allowed myself to consider any other possibility. That was completely unlike me. Finally, the light dawned. Romy. The hope of finding Hayley alive left me a sliver of hope that the same happy ending could come true for my sister. Finding Hayley in the trunk of Brian’s car delivered a crushing blow on both levels. I told Bailey.
“Makes perfect sense,” she said. “So what do you want to do?”
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
In Marcia Clark's most electrifying thriller yet, Los Angeles District Attorney Rachel Knight investigates a horrifying high school massacre.A Columbine-style shooting at a high school in the San Fernando Valley has left a community shaken to its core. Two students are identified as the killers. Both are dead, believed to have committed a mutual suicide.In the aftermath of the shooting, LA Special Trials prosecutor Rachel Knight teams up with her best girlfriend, LAPD detective Bailey Keller. As Rachel and Bailey interview students at the high school, they realize that the facts don't add up.
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
Во время летнего фестиваля искусств на территории бывшей графской усадьбы происходит убийство. Чеховская чайка, призванная олицетворять свободный творческий полёт, может стать символом тёмного мира, где жизнь не имеет цены. Поймёт ли следователь Кречетов, к какому миру принадлежит каждый из персонажей? Сумеет ли он распутать цепочку странных взаимосвязей? А может быть, в этой цепочке замешан призрак графини, блуждающий по аллеям парка и охраняющий тайну старинного клада?
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
«Золотая пуля» — так коллеги-журналисты называют Агентство журналистских расследований, работающее в Петербурге. Выполняя задания Агентства, его сотрудники встречаются с политиками и бизнесменами, милиционерами и представителями криминального мира. То и дело они попадают в опасные и комичные ситуации.Первая книга цикла состоит из тринадцати новелл, рассказываемых от лица журналистов, работающих в Агентстве. У каждого из них свой взгляд на мир, и они по-разному оценивают происходящие как внутри, так и вне Агентства события.Все совпадения героев книги с реальными лицами лежат на совести авторов.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.