Killer Ambition - [25]
“Movie wasn’t half bad. Kind of a kid thing, but adults liked it too. Can’t go wrong when you hit the whole family that way. Action-type film like The Transformers but with a fairy tale attached to it, like The Princess Bride. Anyway, the buzz started right off the bat about this great script and the big deal Russell would be getting. For a young TV writer-hell, for anyone-it was a huge deal. You ask him, he’ll tell you.”
Bailey nodded encouragingly and Ned continued.
“So Tommy gets wind of it and goes apeshit. Starts yelling that it was his script, that Russell stole it from him. Now, Tommy always had been a bit of a loose cannon. Wasn’t the first time he’d complained about someone taking credit for something he’d done. Got into a lot of fights in the writers’ room over people stealing his story ideas-”
“Maybe they did,” I said.
“Sure, maybe they did. Problem was, he cried wolf one too many times in the past. So when he got all nuts about this script, no one really paid attention.” Ned sighed and sat forward. “But that film script was the end of him. Tommy started coming to work drunk, sometimes even got drunk while he was at work-and he wasn’t a nice drunk. Got more and more belligerent. Then, one day, he got into it with Russell over some network notes and decked him. Just ‘boom’! Coldcocked ’im, knocked Russell on his ass.” Ned shook his head. “After that, they moved Tommy out to the edge of the lot-”
“Why didn’t they just fire him?” Bailey asked.
“He was under contract. Easier to put him in Siberia and let his contract run out at the end of the season. ’Course Tommy had to know that was coming.”
“So did he ever sue Russell over the theft of the screenplay?” I asked.
“No.” A look of sadness crossed his face. “Day after the holiday party for the cast and crew, he went home and blew his own brains out.”
“Damn,” Bailey said.
“Did not see that coming,” I said. I guessed we could probably scratch Tommy Maher off our suspect list.
Ned leaned forward and poked the keyboard of his computer with his thick finger. As it whirred to life, he said, “There was a blurb about it in the papers. See if I can pull it up for you.” He scrolled for a few minutes, then turned the monitor so we could see it. “Article doesn’t tell you much, but that’s the holiday picture of the cast and crew on the set.” Ned pointed to the right side of the screen. “Tommy’s the guy on the end.”
Bailey and I leaned in to get a better look. There was something about him that I couldn’t put my finger on. I tried to analyze what it was. He was of average height and size, not the look of a big bruiser who’d have the guts to knock someone down. But everything else about him fit that bill: the sour expression, hunched posture with hands shoved into his pockets; every bit of him telegraphed misery and barely restrained anger. I could see that guy getting wound up enough to coldcock someone. Or even commit suicide. I remembered one of the forensic shrinks saying that it takes a violent person to commit suicide.
I’d been staring at the photo as these thoughts circled, but then the something I couldn’t put my finger on suddenly became clear. “He looks like Brian.”
13
We read the obit. Sure enough, it said that Tommy Maher was survived by his wife, Estelle-and his son, Brian. Brian Shandling was Brian Maher. Had to be. It all fit. Brian taking jobs around Russell’s studio, using a fake name, getting next to Hayley. The article also mentioned that Tommy had a sister, Janice, who was an author and lived in upstate New York.
“Mind sending me this article?” Bailey asked.
“Sure.” He carefully punched a few more keys. I tried to imagine what it was like to type with fingers that big. “Done. I’m going to take a wild guess that this business with Tommy Maher’s important?”
“Might be,” Bailey replied.
He nodded. “Okay. I’ll ask around, see if there’s anyone who knew him.”
We thanked him and, to my annoyance, Bailey declined the offer of a ride back to the car.
“What’s up with nixing the ride?” I groused, once we were outside. “I dug that little golf cart. Reminded me of Autopia.”
“I hated that ride. Those cars were too slow.”
“But the golf carts are faster,” I said as we got to our car. “So we’re not passing up the ride next time. Got it?”
Bailey rolled her eyes. “When was the last time you hit the gym?” I folded my arms and refused to answer. Bailey nodded. “Exactly.”
But all joking aside-or more accurately all joking now possible-we were fired up. Finally we had what felt like a real lead.
Bailey and I got into the car and she pulled out her cell. “I’m forwarding the article to you. I’ll put out the alert with Brian’s true name, you call in and get the info on the wife and sister.”
We made our respective calls. “I’ve got a suggestion,” I said when we’d both finished.
“Space Mountain?”
I gave her my steely-eyed look. She yawned in terror. “Since we’re on the Valley side of the world, why don’t we hit the jewelry store where Brian was last employed?” I said.
Bailey started the car. “A surprisingly good idea.”
First in a new series from bestselling author and famed O. J. Simpson trial prosecutor Marcia Clark, a "terrific writer and storyteller" (James Patterson).Samantha Brinkman, an ambitious, hard-charging Los Angeles criminal defense attorney, is struggling to make a name for herself and to drag her fledgling practice into the big leagues. Sam lands a high-profile double-murder case in which one of the victims is a beloved TV star – and the defendant is a decorated veteran LAPD detective. It promises to be exactly the kind of media sensation that would establish her as a heavy hitter in the world of criminal law.Though Sam has doubts about his innocence, she and her two associates (her closest childhood friend and a brilliant ex-con) take the case.
In Marcia Clark's most electrifying thriller yet, Los Angeles District Attorney Rachel Knight investigates a horrifying high school massacre.A Columbine-style shooting at a high school in the San Fernando Valley has left a community shaken to its core. Two students are identified as the killers. Both are dead, believed to have committed a mutual suicide.In the aftermath of the shooting, LA Special Trials prosecutor Rachel Knight teams up with her best girlfriend, LAPD detective Bailey Keller. As Rachel and Bailey interview students at the high school, they realize that the facts don't add up.
Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.
TROUBLE IN PARADISE is an all-new short story featuring Rachel Knight, star of thrillers GUILT BY ASSOCIATION and GUILT BY DEGREES.Rachel Knight and her friends Toni and Bailey are taking a break from their busy, crime-focussed lives with a trip to tropical island paradise Aruba. But trouble is never far away from these three, and on their first day their investigative skills are called on when a reality TV child star goes missing…
Someone has been watching D.A. Rachel Knight-someone who's Rachel's equal in brains, but with more malicious intentions. It began when a near-impossible case fell into Rachel's lap, the suspectless homicide of a homeless man. In the face of courthouse backbiting and a gauzy web of clues, Rachel is determined to deliver justice. She's got back-up: tough-as-nails Detective Bailey Keller. As Rachel and Bailey stir things up, they're shocked to uncover a connection with the vicious murder of an LAPD cop a year earlier.
Люси и Джейк – образцовые супруги. У них двое детей, уютный домик и налаженный семейный быт. Он строит карьеру. Она посвятила всю себя семье. Но тихую идиллию нарушает шокирующая весть. Джейк изменил Люси. Теперь уже ничто не будет как прежде… Боль от предательства. Разбитые надежды. Люси и Джейк решают остаться вместе, но с одним условием. Чтобы «уравнять» супругов и спасти брак, Люси трижды причинит боль Джейку… Любым способом, каким захочет.
Во время летнего фестиваля искусств на территории бывшей графской усадьбы происходит убийство. Чеховская чайка, призванная олицетворять свободный творческий полёт, может стать символом тёмного мира, где жизнь не имеет цены. Поймёт ли следователь Кречетов, к какому миру принадлежит каждый из персонажей? Сумеет ли он распутать цепочку странных взаимосвязей? А может быть, в этой цепочке замешан призрак графини, блуждающий по аллеям парка и охраняющий тайну старинного клада?
Археолог Вера Буковская при раскопках монастыря в Армении обнаруживает кусок льняной ткани с непонятными надписями и чертежом. Странная находка погружает «везучую Верочку» в кольцо динамично развивающихся событий, предсказать которые не может никто. Командор Тайного ордена хранителей Священного Копья и римский кардинал, магистр Мальтийского ордена и отставной полковник Котов, петербургский академик-востоковед Пиоровский и безжалостный итальянский специалист по «щекотливым делам» охвачены азартом охоты за утерянным тысячелетия назад артефактом.
Профессор археологии Парусников обнаруживает в Израиле захоронение Лилит – первой женщины, созданной Творцом вместе с Адамом еще до появления Евы. Согласно легенде, Лилит пыталась подчинить мир с помощью женских чар и за это была уничтожена. У еще не вскрытого учеными саркофага Лилит случайно оказывается Арина, бежавшая в Израиль от невзгод, которые обрушились на нее в Москве. Что произойдет с женщиной, которой достанется энергия Лилит? Не возникнет ли у нее желания подчинить мир своим прихотям? А если возникнет, то кто сможет остановить ее?
Эрна, молодая девушка, недавно попавшая в аварию, приходит в себя в больнице, рядом с незнакомым человеком, утверждающим, что он ее муж. Девушка не помнит, как оказалась в другом городе и когда успела выйти замуж. Что она делала последние два года? Муж пытается ей помочь вспомнить, однако о многом не рассказывает. А когда на пороге дома появляется полиция, Эрна узнает, что была последней, с кем разговаривала пропавшая без вести девушка, которая исчезла как раз в вечер аварии. Эрна должна восстановить события и понять, что ее связывает с пропавшей, о чем недоговаривает муж и какая истинная причина потери памяти. Перенесись в суровый Берлин и погрузись в мрачную историю Эрны Кайсер.
В книге рассказывается история главного героя, который сталкивается с различными проблемами и препятствиями на протяжении всего своего путешествия. По пути он встречает множество второстепенных персонажей, которые играют важные роли в истории. Благодаря опыту главного героя книга исследует такие темы, как любовь, потеря, надежда и стойкость. По мере того, как главный герой преодолевает свои трудности, он усваивает ценные уроки жизни и растет как личность.