Как писать о современном искусстве - [87]

Themes in Contemporary Art. New Haven and London: Yale University Press; The Open University, 2004).

Danto A.C. After the End of Art: Contemporary Art and the Pale of History. Princeton, NJ: Princeton University Press, 1997.

Fer B. The Infinite Line: Re-Making Art After Modernism. New Haven and London: Yale University Press, 2004.

Lippard L. Six Years: The Dematerialization of the Art Object from 1966 to 1972 [1973]. Berkeley and Los Angeles: University of California Press, 1997.

Owens C. Beyond Recognition: Representation, Power, and Culture. Berkeley and Los Angeles: University of California Press, 1992.

Pollock G. Vision and Difference: Femininity, Feminism and Histories of Art. London and New York: Routledge, 1988.

Модернизм

Arnason H.H. History of Modern Art: Painting, Sculpture, Architecture, Photography. London: Pearson, 2012 (7-е изд.).

Clark T.J. Farewell to an Idea: Episodes from a History of Modernism (New Haven and London: Yale University Press, 1999.

Krauss R. Passages in Modern Sculpture [1977]. Cambridge, MA: MIT Press, 1977.

Steinberg L. Other Criteria: Confrontations with Twentieth-Century Art. London; Oxford; New York: Oxford University Press, 1972.

Wood P. Varieties of Modernism. New Haven and London: Yale University Press; The Open University, 2004.

Berman M. All That is Solid Melts into Air: The Experience of Modernity. Harmondsworth, Middlesex: Penguin, 1982.

Krauss R. The Optical Unconscious. Cambridge, MA: MIT Press, 1993.

Greenberg C. Modernist Painting [1960] // Greenberg C. The Collected Essays and Criticism. Vol. IV / Ed. by John O’Brian. Chicago, IL; London: University of Chicago Press, 1993. P. 85–93.

Schapiro M. Modern Art: 19^th and 20^th Centuries: Selected Papers. Vol. 2. New York: George Braziller, 1978.

Краусс Р. Подлинность авангарда и другие модернистские мифы [1985] / Пер. А. Матвеевой и К. Кистяковской. М.: Художественный журнал, 2003.

Кураторство

Bennett T. The Birth of the Museum: History, Theory, Politics. London: Routledge, 1995.

Blazwick I. et al. A Manual for the 21^st Century Art Institution. London: Koenig Books; Whitechapel Gallery, 2009.

Ferguson B. W., Goldberg R., Nairne S. Thinking about Exhibitions. London: Routledge, 1996.

Altshuler B. Salon to Biennial: Exhibitions that Made Art History. Vol. 1: 1863–1959; Biennials and Beyond: Exhibitions that Made Art History. Vol. 2: 1962–2002. London: Phaidon, 2008; 2013.

Filipovic E., Van Hall M., Ostebo S., eds. The Biennial Reader: An Anthology on Large-Scale Perennial Exhibitions of Contemporary Art. Bergen: Bergen Kunsthall; Ostfildern: Hatje Cantz Verlag, 2010.

Hiller S., Martin S., eds. The Producers: Contemporary Curators in Conversation. Gateshead: Baltic Centre for Contemporary Art, 2000.

Rattemeyer C., Beeren W. Exhibiting the New Art: «Op Losse Schroeven» and «When Attitudes Become Form» (1969). London: Afterall, 2010.

Кримп Д. На руинах музея [1993] / Пер. И. Аксенова, К. Саркисова. М.: V-A-C press, 2015.

Обрист Х.У. Краткая история кураторства [2008] / Пер. Л. Речной. М.: Ад Маргинем Пресс, 2017.

О’Догерти Б. Внутри белого куба: идеология галерейного пространства [1976] / Пер. Д. Прохоровой. М.: Ад Маргинем Пресс, 2015.

Тексты художников

Alberro A., Stimson B., eds. Institutional Critique: An Anthology of Artists’ Writings. London; Cambridge, MA: MIT Press, 2009.

Fraser A. Museum Highlights: The Writings of Andrea Fraser / Ed. by Alexander Alberro. London; Cambridge, MA: MIT Press, 2005.

Smithson R. The Collected Writings / Ed. by Jack Flam. Berkeley and Los Angeles: University of California Press, 1996.

Stiles K., Selz P., eds. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. Berkeley; Los Angeles: University of California Press, 2012 (2-е изд.).

Уорхол Э. Философия Энди Уорхола (от А к Б и наоборот) / Пер. Г. Северской. М.: Ад Маргинем Пресс, 2016.

Frampton H. Circles of Confusion: Film, Photography, Video: Texts 1968–1980. Rochester: Visual Studies Workshop Press, 1983.

Graham D. Two-Way Mirror Power: Selected Writings by Dan Graham on his Art / Ed. by Alexander Alberro. London and Cambridge, MA: MIT Press, 1999.

Kelley M. Foul Perfection: Essays and Criticism. Cambridge, MA: MIT Press, 2003.

Steyerl H. The Wretched of the Screen. New York; Berlin: e-flux journal and Sternberg Press, 2012.

Кейдж Д. Тишина: лекции и статьи [1961] / Пер. с англ. М.: Полиграф-Книга, 2012.

Философия и теория искусства

Bhabha H. The Location of Culture [1991]. New York: Routledge, 1994.

Bourdieu P. Distinction: A Social Critique of the Judgment of Taste [1979] / Transl. by Richard Nice. Cambridge, MA: Harvard University Press, 1984.

Butler J. Gender Trouble: Feminism and the Subversion of Identity. New York; London: Routledge, 1990.

Certeau M. de. The Practice of Everyday Life [1974] / Transl. by Steven Rendall. Berkeley; Los Angeles: University of California Press, 1984.

Hall S. Representation: Cultural Representations and Signifying Practices. London: SAGE, 1997.

Nancy J.-L. The Ground of the Image [2003] / Transl. by Jeff Fort. New York: Fordham University Press, 2006.