High Country Nocturne - [16]
“I didn’t even know this neighborhood existed, Mapstone.” Gordon took in the elegant period-revival houses as we went west on Cypress and then turned south on the one-way that was Fifth Avenue. On the other side of McDowell Road were bungalows more than a century old and beautifully restored.
“Thought everything downtown was a slum, but this is something. Reminds me of back home in Minnesota, the old houses and front porches.”
“It’s not downtown.” My voice was friendly. “It’s Midtown. Downtown only goes as far as Fillmore.”
My pedantry shut Gordon up. We were passing Kenilworth School, where I had passed kindergarten through eighth grade, when I heard Gordon’s partner behind me.
“So how is Miss Cheerleader Legs?”
In the history department, his query would have led to a disciplinary action for using sexist language and objectifying a woman, followed by sensitivity classes and perhaps therapy.
In the cop shop, the proper response would have been, “Your wife looked fine after I fucked her this morning, kid. Thanks for asking.”
But I wasn’t a cop any more.
I didn’t answer.
Out of the corner of my eye, I saw Gordon give his partner a “back-off” glance and the voice behind me fell silent.
The kid was too stupid to stay on an elite detail. Soon enough he would find himself alone on a dark road with a guy less forgiving than me. One who would cause him much pain and require years of facial reconstruction and he would squint because it hurt to open his eyes.
Dark road-I thought again of Strawberry Death. I was still not persuaded by Lindsey’s explanation.
At Van Buren Street, we jigged east to First Avenue. I dreaded seeing the new occupant in Peralta’s former office suite, where I had spent many sessions hearing his demands for progress on a case. That seemed like another person’s life now.
But the car turned left on Jefferson Street and pulled in to valet parking for the Hotel Palomar.
Nobody said anything. We merely got out and I followed them inside.
The Palomar was the crown jewel of CityScape, the latest attempt to revive a downtown that the city had nearly killed in the sixties.
The development had been presented in the newspaper with renderings of audacious skyscrapers. The reality was vapid and suburban, turned in on itself instead of recreating a walkable downtown commercial district. Still, it was better than the brutal empty plaza it had replaced, and Lindsey and I spent as much as we could at the limited selection of shops. We tried to be civic stewards, supporting downtown rather than driving to Scottsdale or the Biltmore.
Inside the hotel was another matter. The Blue Hound restaurant and bar had a flashy LA feel, with dark wood, swag lamps, large mirrors hung at menacing angles over the tables, leather sofas in front of a fireplace that was lit even in the summertime, textured walls, and a big crowd.
I followed the plainclothes deputies past the fun to the elevators. We rode up in silence.
The car opened onto a rooftop bar called Lustre. With the temperature still above seventy, it was a beautiful night to be here. But the place was empty. A sign said, “Reserved for Private Party.”
That would be the casually dressed man at the bar with a messenger bag on the floor beside his feet. He stood up and smiled at me. Then he extended his hand.
And I shook it.
He saved me the impossibility of speaking his title by saying, “Call me Chris.”
Then he dismissed the detail with a “thanks, guys” and led me to a table.
Christopher Andrew Melton was completing his first year as Maricopa County sheriff. Not being a big television watcher, especially what passed for local news, this was my first opportunity to really see him.
He was my size and my height. I had so hoped he was a short little guy. I had dreamed most of his hair had fallen out, leaving only dust bunny tufts. But, no, it was still there, golden and expensively cut. His voice was measured and harmonized with education, not the redneck twang I expected. He was further helped by the kind of limpid blue eyes that were ubiquitous in British costume dramas.
He had moved to Sun City West after finishing twenty-five years with the FBI. He invested in some houses and made top dollar before the real-estate crash. With his federal law-enforcement pedigree, he won consulting work for the homebuilders and the rock products association-the trade group that lobbied for the asphalt, concrete, and aggregate producers-doing what, I didn’t know. I did know they were two of the most politically powerful entities in the state.
Then he ran for sheriff. An “impossible bid,” the pundits had said. “Mike Peralta will be sheriff as long as he wants the job and then he can be governor.” That was what they had said.
But Melton found his issue and his timing with illegal immigration, something Peralta was supposedly “soft” on, even though the Sheriff’s Office had no authority over federal enforcement of immigration laws.
It was a dirty campaign, with Melton’s surrogates playing to Anglo fears and emphasizing that the sheriff was “soft” because he was “a Mexican himself.” “What part of illegal doesn’t he understand?” one bumper sticker read, with Peralta’s face on it.
In this "prequel" to the popular David Mapstone mysteries, author Jon Talton takes us back to 1999, when everything dot-com was making money, the Y2K bug was the greatest danger facing the world, and the good times seemed as if they would never end.It was a time before David and Lindsey were together, before Mike Peralta was sherriff, and before David had rid himself of the sexy and mysterious Gretchen.In Phoenix, it's the sweet season and Christmas and the new millennium are only weeks away. But history professor David Mapstone, just hired by the Sheriff's Office, still finds trouble, chasing a robber into an abandoned warehouse and discovering a gruesome crime from six decades ago.Mapstone begins an investigation into a Depression-era kidnapping that transfixed Arizona and the nation: the disappearance of a cattle baron's grandsons, their bodies never found.
A handsome young New York professor comes to Phoenix to research his new book. But when he's brutally murdered, police connect him to one of the world's most deadly drug cartels. This shouldn't be a case for historian-turned-deputy David Mapstone – except the victim has been dating David's sister-in-law Robin and now she's a target, too. David's wife Lindsey is in Washington with an elite anti-cyber terror unit and she makes one demand of him: protect Robin.This won't be an easy job with the city police suspicious of Robin and trying to pressure her.
Cincinnati homicide Detective Will Borders now walks with a cane and lives alone with constant discomfort. He's lucky to be alive. He's lucky to have a job, as public information officer for the department. But when a star cop is brutally murdered, he's assigned to find her killer. The crime bears a chilling similarity to killings on the peaceful college campus nearby, where his friend Cheryl Beth Wilson is teaching nursing. The two young victims were her students. Most homicides are routine, the suspects readily apparent.
Cheryl Beth Wilson is an elite nurse at Cincinnati Memorial Hospital who finds a doctor brutally murdered in a secluded office. Wilson had been having an affair with the doctoras husband, a surgeon, and this makes her a aperson of interesta to the police, if not at outright suspect. But someone other than the cops is watching Cheryl Beth.The killing comes as former homicide detective Will Borders is just hours out of surgery. But as his stretcher is wheeled past the crime scene, he knows this is no random act of violence.
The private-detective business starts out badly for former Phoenix Deputy David Mapstone, who has teamed up with his old friend and boss, Sheriff Mike Peralta. Their first client is gunned down just after hiring them. The case: A suspicious death investigation involving a young Arizona woman who fell from a condo tower in San Diego. The police call Grace Hunter's death a suicide, but the client doesn't buy it. He's her brother. Or is he? After his murder, police find multiple driver's licenses and his real identity is a mystery.
Однажды Борис Павлович Бeлкин, 42-лeтний прeподаватeль философского факультета, возвращается в Санкт-Пeтeрбург из очередной выматывающей поездки за границу. И сразу после приземления самолета получает странный тeлeфонный звонок. Звонок этот нe только окунет Белкина в чужое прошлое, но сделает его на время детективом, от которого вечно ускользает разгадка. Тонкая, философская и метафоричная проза о врeмeни, памяти, любви и о том, как все это замысловато пeрeплeтаeтся, нe оставляя никаких следов, кроме днeвниковых записей, которые никто нe можeт прочесть.
Выйдя на улицу, чтобы немного прийти в себя после бурного выпускного вечера, шестнадцатилетняя Мария Вестон исчезает навсегда. Девушку считают погибшей, однако спустя двадцать пять лет одноклассники начинают получать от нее письма с угрозами. Неужели она жива и долгие годы скрывалась, но зачем? Больше остальных напугана успешная предпринимательница Луиза Уильямс, которая уверена, что страшная судьба Марии целиком и полностью лежит на ее совести. Роман Лоры Маршалл — это будоражащее кровь погружение в бездну страхов, сомнений, амбиций и не изжитых комплексов.
Кен Фоллетт — один из самых знаменитых писателей Великобритании, мастер детективного, остросюжетного и исторического романа. Лауреат премии Эдгара По. Его романы переведены на все ведущие языки мира и изданы в 27 странах. Содержание: Скандал с Модильяни Бумажные деньги Трое Ключ к Ребекке Человек из Санкт-Петербурга На крыльях орла В логове львов Ночь над водой.
В самой середине 90-тых годов прошлого века жизнь приобрела странные очертания, произошел транзит эпох, а обитатели осваивали изменения с разной степенью успешности. Катя Малышева устраивалась в транзитной стадии тремя разными способами. Во-первых, продолжала служить в издательстве «Факел», хотя ни работы, ни денег там почти не наблюдалось. Во-вторых редактировала не совсем художественную беллетристику в частных конторах, там и то и другое бытовало необходимом для жизни количестве. А в третьих, Катя стала компаньоном старому другу Валентину в агентстве «Аргус».
Наталия Новохатская Предлагает серию развернутых описаний, сначала советской (немного), затем дальнейшей российской жизни за последние 20 с лишком лет, с заметным уклоном в криминально-приключенческую сторону. Главная героиня, она же основной рассказчик — детектив-самоучка, некая Катя Малышева. Серия предназначена для более или менее просвещенной аудитории со здоровой психикой и почти не содержит описаний кровавых убийств или прочих резких отклонений от здорового образа жизни. В читателе предполагается чувство юмора, хотя бы в малой степени, допускающей, что можно смеяться над собой.