Eeny Meeny - [6]
‘A ladder.’
‘I didn’t see a ladder there.’
Amy scowled and turned away. Pulling the hospital blankets up round her chin, she receded into herself once more. Helen regarded her, intrigued. If she was lying, she was a bloody good actress. She shot a look at Mark, then continued:
‘What sort of ladder was it?’
‘A rope ladder. It was dropped down just after I…’
Tears stung Amy’s eyes and she dropped her head to her chest. There were mild burns on the palms of Amy’s hands. Consistent perhaps with someone scrambling up a rope ladder? Helen gave herself a mental slap – why was she even considering the possibility? Amy’s story was insane. According to her, they’d been picked up on the motorway, drugged, abducted, starved – and then forced to commit murder. Why would anyone do such a thing? On the face of it, Amy and Sam were two good kids, but the answer to this awful crime must lie within their own lives.
‘Tell me about your relationship with Sam.’
At this Amy started to sob.
‘Perhaps now would be a good time to break, Detective Inspector?’ Amy’s mother had insisted on a solicitor being present.
‘We’re not finished yet,’ Helen snapped back.
‘But you can see she’s exhausted. Surely we ca-’
‘All I see is a dead boy called Sam Fisher. Who’s been shot in the back. At close range. By your client.’
‘My client doesn’t deny pulling the tr-’
‘But she won’t tell us why.’
‘I’ve told you why,’ Amy spat out in retaliation.
‘Yes and it’s a great story, Amy. But it doesn’t make any sense.’
Helen let her words hang in the air. Without having to be told, Mark took his cue to ratchet up the pressure.
‘Nobody saw you. Or the van, Amy. The truckers didn’t. The traffic cops didn’t. The other kids hitching that route didn’t. So why don’t you cut the crap and tell us why you killed your boyfriend? Did he hit you? Did he threaten you? Why did he take you to that awful place?’
Amy said nothing, refusing even to look up. It was as if Mark hadn’t spoken at all. Helen took up the baton, softening her tone.
‘Don’t think you’re the first, Amy. To fall for a nice guy who turned out to be sadistic and violent. It’s not your fault, no one’s judging you and if you can tell me what happened, what went wrong, then I promise I can help you. Did he assault you? Were others involved? Why did he take you there?’
Still nothing. For the first time, impatience seeped into Helen’s voice.
‘Two hours ago, I had to tell Sam’s mum that he’d been shot and killed. What she needs, what his little brothers and sisters need, is someone to be held to account for this. And right now you’re the only person in the frame. So for your own sake as well as theirs, stop bullshitting and tell me the truth. Why did you do it, Amy? Why?’
There was a long silence, then Amy looked up, angry eyes flaring through the tears:
‘She made me do it.’
8
‘So what do you think, boss?’
For the first time in her life, Helen couldn’t answer. Yes or no, guilty or not guilty, Helen Grace always had an answer. But not here. This was something different. All her experience told her that Amy was lying. The abduction story was crazy enough but the fact that the perpetrator was a lone female was the clincher. Female murderers kill their husbands, their children or people in their care. They don’t go for stranger abductions, nor do they favour high-risk scenarios such as the one Amy had described, where they are outnumbered by their victims. Even if this one had, how was she strong enough to manoeuvre two grown adults out of a van and into the diving pool? Helen was more than tempted to throw the book at Amy. Perhaps when she was facing a murder charge, she would finally give up the truth.
And yet, why would she make up such a story unless it was true? Amy was a smart, together girl with no history of mental illness. Through it all, her testimony had been clear and consistent. Her description of her ‘abductor’ had been precise – dirty blonde crop, sunglasses, short grimy nails – and she’d stuck to it religiously. Right down to the tiny details about how she over-revved the van in the low gears. And it was clear that she loved – really loved – Sam and was devastated by his death. Everyone described them as inseparable, two halves of a whole. They had met at Bristol University, then each applied to do an MSc at Warwick so they could stay together, deferring entry to working life and possible separation. They didn’t have much cash, but during their time together they had hitched all round the country, seldom holidaying with anyone else.
Forensics had linked her to the gun, so there was no doubt she did it, but they’d also confirmed her story about their captivity. Their physical state – the hair, the nails – plus the human waste in the tank all suggested that they’d been there for at least two weeks before she killed him. Had they given up hope and drawn straws? Made a deal?
‘Why him and not you?’ Amy had collapsed again, but Helen repeated the question. Eventually Amy managed to speak:
‘Because he asked me to.’
An act of love then. An act of self-sacrifice. What a thing to have on your conscience… if it was true. And that was what was nagging at her – the plain fact that Amy was destroyed by what had happened. Not just traumatized. She was destroyed, imploding under the weight of guilt. It was an emotion Helen knew all too well and in spite of everything she found herself feeling for Amy. Maybe she’d been too hard on this vulnerable young woman.
Detective Helen Grace is on the trail of a twisted serial killer in this riveting thriller in the gripping * international bestselling series."Ruby wakes up in a strange room. Her captor calmly explains that no one is looking for her. No one wants her. Except him."When the body of a woman is found buried on a secluded beach, Detective Helen Grace is called to the scene. She knows right away that the killer is no amateur. The woman has been dead for years, and no one has even reported her missing. But why would they? She s still sending text messages to her family.Helen is convinced that a criminal mastermind is at work: someone very smart, very careful, and worst of all, very patient.
Детектив-инспектор Хелен Грейс расследует серию преступлений, в каждом из которых похищены два человека. Похититель ставит свои жертвы перед страшным выбором – убить другого или умереть самому. Как долго продолжится эта смертельная игра, зависит только от Хелен. Ведь этими похищениями маньяк шлет послание лично ей.
Detective Helen Grace faces her own dark compulsions in the new thriller from the international best-selling author of Pop Goes the Weasel and Eeny Meeny.In a world where disguises and discretion are the norm, and where one admission could unravel a life, a killer has struck, and a man is dead. No one wants to come forward to say what they saw or what they know – including the woman heading the investigation: Detective Helen Grace.Helen knew the victim. And the victim knew her – better than anyone else.
THE FOURTH DI HELEN GRACE THRILLER BY BESTSELLING AUTHOR M J ARLIDGE 'Helen Grace is one of the greatest heroes to come along in years' JEFFERY DEAVER In the dead of night, three raging fires light up the city skies. It's more than a tragic coincidence. For DI Helen Grace the flames announce the arrival of an evil she has never encountered before. Because this is no firestarter seeking sick thrills, but something more chilling: a series of careful, calculating acts of murder. But why were the victims chosen? What's driving the killer? And who will be next? A powder keg of fear, suspicion and dread has been laid.
From the international bestselling author of Eeny Meeny comes the second thriller in the truly excellent series * featuring Detective Helen Grace."A man s body is found in an empty house.A gruesome memento of his murder is sent to his wife and children."He is the first victim, and Detective Helen Grace knows he will not be the last. But why would a happily married man be this far from home in the dead of night?The media call it Jack the Ripper in reverse: a serial killer preying on family men who lead hidden double lives.Helen can sense the fury behind the murders.
Эта книга от начала до конца придумана автором. Конечно, в ней использованы некоторые подлинные материалы как из собственной практики автора, бывшего российского следователя и адвоката, так и из практики других российских юристов. Однако события, место действия и персонажи, безусловно, вымышлены. Совпадения имен и названий с именами и названиями реально существующих лиц и мест могут быть только случайными.В центре Москвы происходят убийства известных ювелиров. Но близкие уверяют, что из квартир ничего не пропало.
Два офицера «афганца», воспользовавшись выводом советских войск из Афганистана, переправили в Ташкент 20 килограммов «ханки»(опиум-сырца) и попытались его сбыть наркодилерам того времени….
Чемодан с миллионом долларов, кучка головорезов, желающих его вернуть, и это в городишке, отрезанном от мира. Что может быть хуже? Ах, да….кровососущий монстр.От Автора:Данный рассказ является частью трилогии «Последний рубеж» и повествовал о молодости Кейн и его знакомству с Изабелл. Сюжет рассказа блуждал у меня в голове больше года, и дошел до кондиции, когда нужно перенести его на бумагу. Сама «трилогия Рубежа» будет представлена публике — когда меня устроит результат. Но, если сей рассказ будет достаточно популярен, и у читателей будет желание увидеть продолжение, то я вполне могу написать ещё одну-две истории повествующие о похождениях молодого Кейна, тем самым сформировав из них полноценный роман.Так что не стесняйтесь оставлять комментарии, тыкать носом в нелогичности.
Астра Фадеева – самостоятельная женщина, ведет собственный бизнес, в одиночку воспитывает сына, а еще помогает сестрам и бывшему мужу, хоть и не стоит он того. Но как же ей хочется быть слабой, беззащитной, опереться на сильное мужское плечо! Да только вот незадача – все ее романы обязательно заканчивались крупными неприятностями, причем не столько для самой Астры, сколько для окружающих. В общем, роковая женщина!Вот и на этот раз романтическая поездка к морю в солнечную Болгарию обещала жаркие объятия и страстные поцелуи, а обернулась очередной катастрофой.
«Посмотреть в послезавтра» – остросюжетный роман-триллер Надежды Молчадской, главная изюминка которого – атмосфера таинственности и нарастающая интрига.Девушка по имени Венера впадает в кому при загадочных обстоятельствах. Спецслужбы переправляют ее из закрытого городка Нигдельск в Москву в спецклинику, где известный ученый пытается понять, что явилось причиной ее состояния. Его исследования приводят к неожиданным результатам: он обнаруживает, что их связывает тайна из его прошлого.
«ИСКАТЕЛЬ» — советский и российский литературный альманах. Издаётся с 1961 года. Публикует фантастические, приключенческие, детективные, военно-патриотические произведения, научно-популярные очерки и статьи. В 1961–1996 годах — литературное приложение к журналу «Вокруг света», с 1996 года — независимое издание.В 1961–1996 годах выходил шесть раз в год, в 1997–2002 годах — ежемесячно; с 2003 года выходит непериодически.Содержание:Анатолий Королев ПОЛИЦЕЙСКИЙ (повесть)Олег Быстров УКРАДИ МОЮ ЖИЗНЬ (окончание) (повесть)Владимир Лебедев ГОСТИ ИЗ НИОТКУДА.